Saturday, April 30, 2011
Golden Doorknob Recap!
But to be quite honnest I was really surprised by how well done the finalists and honorable mentions were. A lot of them had really creative shots and the lighting was really well done. You could tell that the producers of the films really took their time in setting everything up and finding the right people to play particular parts. Even though my groups doorknob was in the "looser reel" the audience was laughing and to be quite honest I feel like that was what my group was going for, to make people both remember playing those games and laugh about the "what ifs". But all in all, I'm glad for everyone who received something.
Friday, April 29, 2011
Goodbye Michael Scott
oh..hey end of the year
miami vs. boston who ya got?
Thursday, April 28, 2011
rick roll trailer
museum of the moving image
Mugglenet!
Trailer mash-up
End of the Year
Also, does anyone else hate registration??????? (and i know that everyone does) but I hate how they only have one, possibly two sections open for required classes. I really think that they need to revamp the system, not the way in which we choose classes but the number of classes that are available to students.
But anyways, thats my rant about registration. Hope everyone's ADR projects are coming together well.
Almost Done
Summertime
Wednesday, April 27, 2011
Mother of all Remixes
After watching the Everything is a Remix in class today I though I would talk about one of my favorite recent films. Rango is simply an amazing piece of work. Directed by Gore Verbinski (Pirates of the Caribbean) the film pays homage to a great number of films both in terms of storytelling structure, some memorable characters and even music and lighting.
The lighting throughout the film really impressed me the most. The lighting plans were so detailed and intricate and they gave the film a very unique look.
I read an interview with Tim Alexander, the visual effects supervisor on the film. An interesting interview because Tim discussed how Industrial Light & Magic, a company used to working in live action, had to adapt their entire workflow to create an animated feature length film.
Tim said lighting was difficult for them because they are so used to receiving video plates where the lighting in the shot has already been composed by the DOP, in which case they just created their effects based on the existing lighting plot.
Creating an image that was 100% animated was difficult because they had to create the lighting from scratch. To help them with this problem, they hired an experienced DOP, Roger Deakins (Shawshank Redemption, True Grit, O Brother, Where Art Thou, Fargo, Dead Man Walking, etc) to help them figure out lighting designs. I must say the plan definitely worked because the lighting is simply perfect!
ADR Project
See ya tomorrow
Monday, April 25, 2011
i hate rendering
thank you!
International Museum of Photography and Film
ALL RIGHT I GOT THIS.

Sunday, April 24, 2011
Feedback
Line Changing
Saturday, April 23, 2011
51 Birch Street
This is a trailer of the doc:
Projects are a great way to spend a weekend...
Friday, April 22, 2011
Voice Changing
Happy Earth Day!

30 Minutes or Less
Thursday, April 21, 2011
How to Train Your Dragon
adr
Zombies Ate my Neighbors
ADRADRADRADRADR
I downloaded about 7 episodes of South Park, that i watched first. The episodes all have some aspect of dancing, which will definitely help me out, when i cut my clips.
Project doesnt seem to hard for now, but i think when we start using Pro tools for the actual ADR part of it, it'll definitely get harder.
Hope everyones project is going swimmingly.
Wednesday, April 20, 2011
More HDR
HDRI
Non CG Special Effects
Am I doing the project right?
I would rather make something original that I know will look good and sound good rather than hack together something from a bunch of different clips from a limited selection. I'd ADR a Disney movie, but oops! Those aren't free domain.
Anyhow, I've got Plan 9 on the docket right now. I'll see what I can do with that..
Confusedly,
Will
2nd project
Steve
dont look now but it might be nce outside
Tuesday, April 19, 2011
The Academy






