Dialogue-Heavy Films are Movies Too

Through my almost three and half years in Park, I've been told over and over again that film is a VISUAL medium, and that it should be treated as such when you're writing a script. For the most part, I would agree with this: when at all possible, you should tell a story visually instead of spelling something out with pointless, expository dialogue. Let the viewer figure stuff out for themselves instead of having characters broadcast it. I get it. That's all good.

So my question is, after watching something like the fantastic "The End of the Tour," how can movies consisting of mostly dialogue be compelling? End of the Tour follows Rolling Stone columnist David Lipsky (Jesse Eisenberg) as he goes about interviewing David Foster Wallace (Jason Segel, in an uncharacteristically good role) during the last stop of his book tour for the novel Infinite Jest.

And that's pretty much all there is to it.

Nobody dies (I mean, teeeeechnically DFW does in the intro, but it's barely part of the plot). There's no big twists or turns. At times, it can seem like there's barely any conflict. Just two dudes named David, talking about everything from sex to junk food. So where's the hook? What's the elevator pitch there? If I had tried to write something like this for my advanced screenwriting class, I probably would have been immediately shut down. It didn't help when I discovered that the writer was Donald Margulies, a guy that normally writes plays (albeit, really great, compelling plays). Then THAT got me thinking: what's the difference between a play and a film? Is a play also not a visual medium? Why is ok for a play to be talky, but not a movie?

Turns out, even though they're visual, stage plays are a different creature altogether, mainly for some obvious reasons. Plays don't have cameras, for one: they work with a single stage, and whatever you see is going to be determined by your place in the audience and your particular view of that stage. Many times, all you'll be able to work with is a couple actors and a bare bones set, so compelling dialogue is the one thing that you have to really focus on.

Sometimes, this can be translated over into film. Take Glengarry Glen Ross, for instance. It's a super talk-y movie, one of those films that I would have absolutely hated as a kid, but it's compelling, and it's adapted for the screen from what was originally a stage play. If you're able to translate the intensity and keep the dialogue tight and interest-keeping, then you're set.

And that's more or less what Margulies is able to do with End of the Tour. He takes a book about a long conversation and turns it into a movie about a long conversation. I'd like to say that framing and shots help the movie stay interesting as well, but from a technical standpoint, it's fairly average and forgettable (apart from this one shot in a parking lot that makes the physically imposing Wallace look like a child). Sure, you can go the route of David Fincher/Aaron Sorkin in the Social Network and also make it super visually appealing, but you also, surprisingly enough, don't need to. Sometimes a good script is a good script, and musings about masturbation, Alanis Morissette, and television are all you need. Which is kind of both inspiring and strangely depressing. Oh well. I guess that's David Foster Wallace for you.

Every Tuesday is PLL Day

Every Tuesday I scramble to my TV to watch my favorite series, Pretty Little Liars. The story focuses on four teenage girls, Aria Montgomery, Spencer Hastings, Emily Fields, and Hanna Marin and their daily struggle of getting blackmailed by an anonymous harasser.

The plot started the night that their so called friend, Alison Dilaurentis went missing. From there on out they have received various texts, threats, and have almost gotten killed a numerous amount of times. The mystery of the show is to find out who "A" is, but it never seems to go in their favor. When they think they have finally discovered the true person hiding behind "A's" black hoodie, another twist is thrown at them. Filled with drama, intense love stories, and relatable characters, Pretty Little Liars excels at being an amazing teen television show. Though I absolutely love this show, I sometimes ask the question, "when is it too much?" The plot of this show takes many twists and turns that sometimes are even confusing to the viewers. Pretty Little Liars has been approved for seven seasons, while currently being in their fifth. However, I can't see where they are going to take this show for two more seasons after they reveal who head "A" is at the end of season five.

There just comes a point in a show, where the writing becomes too complicated. There are so many side plots and characters that appear for such a short amount of time, that you don't know what is important anymore. Pretty Little Liars has made a significant impact on the expectations of a teen drama, and I think that they need to get back on the right track that they started on in the beginning of the series. This show is amazing and doesn't get enough credit for what it's worth. I think if they tightened up the plot,and focused on what was important, the show would be appealing to all audiences and not just the teenage realm. But don't get me wrong, I love my girls. 

5 Phases of Making a Fiction Field Production I Film

Well my friends, it's that time of the year. Picture Lock season. Each and everyone of us has worked hard, suffered greatly, and felt like we've gotten nothing accomplished. But as we near the end of our filmmaking journey, I want to reflect on the steps we've taken (or at least I've taken) to get to this point.

5 Phases of Making a Fiction Field Production I Film

1. Pick Your Group
Though this seems like an easy task, the cooperation of your team members can either make or break your film and/or mental state. A group that works well together and has members with different strengths makes the difficult process of making a film a little bit easier. They become your family. Either you love them or you hate them, but you're attached to them no matter what. Thankfully, I got lucky and have a really strong group with some great people, and they have become not only my coworkers, but my friends.

2. Pre-Production
You're all so excited. "We're going to make a movie!" You assign jobs, then start planning how the rest of the semester is going to go. You have to write the script, find sponsors, start a fundraising campaign, get actors, get additional crew members, get locations, storyboard, start production design, the list goes on... forever. But you're bright-eyed and bushy tailed, ready to take on this film and make your family proud. So how do you get started? You don't... for weeks. Because you think you have time. You have all semester! Why bother?

Don't worry, it'll all get done. Right?

3. Beginning Production
Nope. You were wrong. You were so, so wrong. By now you've wasted at least three weeks, spring break has come and gone and you haven't even casted. The script may or may not be done (sorry guys, my bad), and you have to start filming in a week. As of right now, your blood pressure is shot through the roof. You have to distribute flyers and still make a blog post. Coffee is your new best friend. But you get together with your group and you muddle through it, dealing with one crisis after another to start on time. You are now familiar with panic attacks, but feel like you have gained superhuman powers at the same time. This is what adulthood feels like, and although you're unsure of the future, you go into the next phase head on.

4. Production
You're in the heart of your production phase. Check your pulse. Yes, you're still alive, but barely. You haven't slept in what feels like years. Your friends and family are worried because they haven't heard from you and don't know where you are. You forget that you have other classes, and your grades suffer from it. Coffee is not your friend, but has become a part of your bloodstream.

Schedules are no longer set in stone. Film shoots are temperamental, either convincing you that you will be the next Steven Spielberg or making you rethink your entire career and future. Arturo laughs as your health deteriorates, slowly but surely. Someone, if not every single person in your group has had some sort of a mental breakdown. But post production is so close, so you torture yourself a little bit longer, hoping and praying that something, ANYTHING good will come of this hell known as filmmaking.

5. Post-Production
You think you'd be relieved, but the work has really just begun. This is the part where you save your film from every little and big mistake that you've made during pre-production and production. And it all falls on the one or two people you call your editors. Thankfully, this is not me, but I have a feeling my work is not done. As we approach this stage of our voyage, I can only hope that it's smooth sailing. But like all of my hopes and dreams this semester, I'm fully aware that this will not be the case. Until then, I'll live my life day by day and hopefully come out of this with at least one lesson: Making films is hard. If anyone ever says anything different, this semester has shown me that it is completely appropriate to react with physical violence.

So to everyone in my class, and all future Fiction Field members, I wish you luck as we come to the close of the longest (yet shortest) semester of my life, and I look forward to all of our hard work to translate into something we're not embarrassed to show even our parents.

(Bonus) Wrap Party

Two Plots Are Better Than One : Dexter and Series Television

I've noticed there are two types of shows on television, the first is shows that have concrete main characters but a new, unrelated plot every time .  These types of shows can be watched out of order with no actually progression of an overall plot.  This type of television show can usually be seen in children's programs for example "Spongebob" or "The Rugrats."  However as I have gotten older I have noticed another type of television programing as I started to become more interested in series television.
    The first television series that has gotten my attention enough to buy the first season DVD and start from the beginning, in order of the series, is "Dexter".  As I came to the completion of the first season I have started to notice a pattern in how the show is formatted.  For every episode there is an individual sub-plot (in this case a bad person Dexter must kill) and also an overarching plot pulling on pervious episodes and the episodes of the future (for example  Dexter's love life and the mystery of Ice Truck Serial Killer).  Once I noticed this pattern I began to think of other popular television shows (everything from Nickelodeon's Avatar to Glee to Spartacus)  and they all seem to follow this same format to one extent or another.

      I had to then ask myself why?  Well as a scriptwriter I looked at this from a storyline standpoint the sub-plot keeps every episode interesting and engaging for an audience that may not be familiar with the show but also heightens the engagement of dedicated followers.  The overarching plot however is what creates the "show followers" and drive to wait and watch the next episodes.  I believe this equates to the marketing of the show in a way.  The fact that a television show can be enjoyed by someone new to it is equally as important as to entertain someone who has watched it from the start.  Seeing a random episode of Dexter is what got me to start over from the beginning in order to understand what exactly was going on.  The usage of two story-lines to in a way to attract new watchers while furthering the entertainment of followers of the series seems to be extremely effective.

     Another interesting point I would like to add is about the story structure of each episode.  The basic outline of a conventional story is supposed to have an introduction, rising action, conflict, climax, falling action, and a conclusion…however as I have looked further into series television (or at least in the case of Dexter) this does not seem to be the case.  I feel as though every sub-plot follows this basic outline curve however the overarching plot provides it's most heightened sense of emotion at the end of every singular episode.  This climax at the conclusion if you will is what keeps audiences coming back and insights feeling of personal investment and connection within a series television program, turning first-timers into followers.
     It would seem from my experience and my research into series television programs this story-line format is at the core for creating a successful televisions series.  I have found that although some shows such as certain sitcoms and children's shows work on a per-episode basis, the shows that acquire the most "hype" and engage the audience most fully are those that utilize this idea that two plots are better than one.  After taking time to verbalize all of my thoughts and as someone who is interested in series television and the television business I have found that taking time to evaluate my own personal reactions as an audience may help to understand how audiences I may one day market to work as well.

 

Writing from Experience: True Fiction

This past year I have been working on many scripts and screenplays and I have begun to notice that by far my best works have been those based off of true events or personal experiences.  When I look at my life as a whole I think to myself, what a bland and average story I have.  I have never been shipwrecked, I've never had any superpowers, I've never even been in a gun fight or in a Jackie Chan style brawl.  However, in my opinion, I have found that you can tell the best stories from the details only you have.  My life has had ups-and-downs, as everyone has had, but the ups-and-downs I've had are unique to me.  My experience is my own and no one else's…that is unless I share it with them.

I recently become a finalist for a film award after submitting a script about a man struggling with addiction.  The story of a man coping with a drug addiction and the effects it has on his family is not a "new" story or ground-breaking idea, however it is the first hand detail through my own perspective and my own re-telling that gives the story its strength.

I feel if I gave the outline of one of my films to anyone they would see nothing special about the idea, but if you give them a script and they see a real conversation that was had, they hear your character's voice, accent, and inflection as you heard it.  They can see the details of a room you stood in.  They can share your experience.  To write a "fiction film" is not always necessarily about making a work of fiction; through my experience to write the best "fiction" films is to take a nonfiction story (or the guise of nonfiction) and present it to the audience so they may share in a personal story they could have never experienced over wise.

Some times the crazy ideas are the best ones

I thought I was ready for school for school this semester. I was bored at home tired of working minimum wage jobs and manuel labor for under the table cash.

last semester I went hardcore. maximum credits. job on a show at ic tv. multiple clubs. I was spread thin. and what happend was everything i did sufferd the cost of not getting enough attention.

This semester I thought i was going to take it easy on my self take less courses and doing less clubs, but  c'est la vie some how I am even more spread thin then ever before. over whelmed with stress I became extremely introspective wondering about what I want to do in the industry and trying to figure my self out. It was in one of these moments of self meditation when I got a crazy Idea.

What did I come to Ithaca for? I came to make movies. to learn how to make movies. I never considered my self an artist. But recently i came tot he realization I am. my free time is spent creating. weather it be  writing short, storys script, music, jokes for my standup ( I am an amateur stand up comedian). but mostly I am insane im not ashamed to admitted it and every great artist is insane in one way or another. I am not trying to say I am a great artist, but that i do possess the qualities of one.

When my professor Arturo Sinclair told me he dropped out of college to make movies at age 15 i was  impressed to say the least. it was such a simple answer to a question that seemed so complicated. how do you mange to do in life exactly what you want to do. you just do it.

I've done it before in life. when I was a freshman in highschool I wanted to fly to chicago to visit my best friend and go to lollapoolza. I had no money. my parents said if i would pay for it i could do it. (proably assuming i could never get the money.) to solve my problem i designed a Teeshirt I could sell at my school. to make a long story short I sold over 100 shirts and grossed over a thousand dollars and funded my trip.

this summer i was strapped for cash again but i could not get hired at any job in town. so i made a job. i started my own window washing service and made 4 times the money i could have at a regular minimum wage job in a quarter of the time.

The point I am trying to make is sometimes in life when you want something you just have to go take it. you can't sit around waiting for opportunity to find you.

now if you have read all of that you are proably wondering what my crazy Idea is. and it is simple I want to make a film a real film I can be proud of.

this is just a rough Idea and I am begging for input and advice.

If you look at the Ithaca website for the price of tuition and fees you see this chart

Tuition and fees	$35,278
Board	5,980
Room	6,874
Health insurance	575
Total	$48,707

48,707 dollars a year is more money then I have ever seen in one place
If you are like me which i suspect there are quite a few you are not on scholarship or only partial scholar ship your parents help you pay some of the cost you use the money you make over the summer to help pay tuition while keeping some so you can buy things you want and need and you take out some student loans a massing a daunting debt especially with the uncertainty of of the future this can be terrifying.

well what if after the spring semester when you have a massed junior or senior standing and become way more polished in the skills it takes to make a movie you take a gap year and put those skills to use.

in this gap year plan to spend $10,000 put into the project of making a movie its a fraction of the money you would spend a year when at college and at the end of it all you would be part of something amazing. an original film that you co-produced had direct influence over.

If I can get 7 more people on board with this idea thats 80,000 dollars we could invest into this project.
with that money we could rent equipment pay for meager room and board, pay actors, and pay for permits for what ever we need too.

we could create a great low budget film and it would be ours.

on the side we could also use the equipment were renting to document the entire process so by the end of the gap year we have our own film and the footage to make a documentary about they entire project.

The type of people I would be looking for to join me on this crazy project are as follows
- A Head cinematographer
- A Head sound designer
- A Director
-  2 editor
- A lighting expert
- a costume/prop designer

of course i would also expect of these core people to be multi talented and can fill in to any other positions needed

we would need a script a great script that can be shot easily that does not demand to much capital.

It seems crazy. but at the same time it seems very possible. and at he end of it all we know we went for it. and will probably learn more then we every thought possible about this industry and our selves.

this is just a skeleton of an idea and i need help from YOU to fill the skeleton with meat and organs and blood and life.

if you are interested in this please contact me my phone number is  609-610-4445 and my email is Austin.Scharfstein@gmail.com

help me make this crazy idea into a crazy story.

Psychological Thriller: "Donnie Darko" v. "The Butterfly Effect"

Recently I watched the films “Donnie Darko” by Richard Kelly and “The Butterfly Effect” by Eric Bress and J. Mackye Gruber back to back.  Both of these films are categorized as psychological thrillers and both films have many similarities in their plots. Both films played with the time space continuum, both films had characters who have supernatural experiences/powers, and both films featured a troubled protagonist you follow through it all.  Despite these films similarities at the end I found that I disliked “Donnie Darko” but loved “The Butterfly Effect,” and I had to ask myself, “Why?”

            “Donnie Darko” is the story of a teenager named Donnie Darko who hallucinates and sees a demonic bunny named Frank.  The bunny will put Donnie in a trancelike state and Donnie will do his bidding.  One day Frank makes Donnie sleepwalk out of his house, saving his life as a jet turbine that falls from the sky and crashes into his room.  As the story goes on Donnie feels like he owes the bunny for saving his life and his hallucinations get progressively worse until he feels as though he has discovered time travel.  In the end Donnie uses his “new found knowledge” to alter the past (I don’t want to ruin the ending so I wont get too specific).   However at the end of the movie I felt disappointed and almost annoyed.

As I mulled the movie over in my head I began to realize why I found the story so disinteresting.  When the plot is broken down the entire film is based off a hallucination bunny saving Donnie from a mysterious airplane turbine.  Although the airplane turbine was eventually explained it was still too far fetched of a conclusion to be satisfying. I feel that although it was well filmed, directed, edited and shot but the fact of the matter was the plot was not cohesive or believable enough for me.  I feel as though if the central event of the film was more realistic then I would have been able to get more into the movie. 

Inversely, this idea that the script and plot are central to the film is a main reason why I enjoyed “The Butterfly Effect” so much.  Although the central plot point of this film is about a young man named Evan Treborn has a supernatural power to travel into his past it was so well set up and well developed that this seemingly far fetched idea became believable. The teleportation of Evan back in time in order to save his future and the futures of those he loved was beautifully executed.   The ability of the film to catch the audience up to the “new present,” transforming years into only seconds was amazing. However what really impressed me was the preservation of cause and effect in the film and the realism of the outcomes, or new futures, that were created though Evan’s travels into the past.  The writer/filmmakers also had an understanding of their audience.  This is apparent when the filmmakers play into everyone’s worst fear that the protagonist Evan is in fact insane and that he has been imagining his flashbacks the whole thing.

I feel as though these movies stand as prime examples for what good writing can do as well as the determents of having an unbelievable storyline.  In the genre of “psychological thriller” the plot is imperative to the success of the film in the eyes of the viewer.  In my opinion if things do not come full circle and there is no clear/or realistic revolution, especially for this genre of film, the film will not satisfy the viewer.  It goes to show that, for the most part, even if you shoot a beautiful film if the script/storyline are not compelling or believable then in the end the audience will not be satisfied.

Awkward.

My new favorite show on TV right now is MTV's Awkward. It has some kinks that it needs to work out but I just can't stop watching. It's about a high school sophomore, Jenna, who is (you guessed it) a little awkward. I'm not a fan of how the series starts out... when she reads a nasty letter instructing her on how she needs to improve herself, she has an accident that makes it look like she committed suicide... a little far fetched but whatever.

Besides that and a few other little things, this is easily the best high school scripted show I've seen in years. You knew all of the characters in high school, and you want Jenna as your best friend. Her problems are real, and you cringe right along with her during all the awkward moments that happen to every teenager in high school.

One of the best characters in the series is Sadie, the mean popular girl. She's a little over the top but she seriously combines every mean girl I ever knew in high school into one hilarious character and coined the series's catch phrase... 'you're welcome'.

MTV Shows

Every episode has me laughing and rooting for Jenna, especially in things concerning her popular crush, Matty.

Awkward. - MTV Shows - Full Episodes

So if you decide to try Awkward out... I promise she's out of the stupid brace by the second episode! But you'll probably be hooked right away just like I was!

Scream 4

I meant to put this in my post from the other day...BUT Scream 4 comes out on Friday!!!!!! Yes I am a little bit of a horror movie fan, but i'm actually really excited to see this movie, not only because of the success and amazement of the previous films, but because of the script. The script for this movie, is allegedly suppose to take all the cliches of the previous movies, and of horror films in general and completely re-work them. I hope that the movie turns out well, even though i feel i understand how hard it must be to create a feature film. Also in case you haven't seen the trailer for the movie yet, the link to it is in the title.

Gabo saint bad

so weve got our script finalized and sent out. got our lead actor and a short list for actresses and almost done with the rest of the cast (minus the badguy locksmith if anyones interested). Steves working on the permission slips so we can shoot downtown.

Has anyone shot in a parking garage? help me out! few/no outlets so im low on ideas and any would be appreciated.

Thanks

Need Names?

So I figure as we're writing scripts, it's going to be hard to come up with some good names. If you're stuck for ideas on what to name that spunky alt chick character who kills serial killers and likes Captain Crunch, check this site out:
NAMES

You can pick gender, countries of ancestry (such as English, African, Turkish, etc.,) and even time period. There's also options for different categories of beings and behaviors. There's an option to make hippie names. This generator doesn't screw around; you're going to get some pretty kick-butt results.

Next time you're stuck, I suggest you guys give this a whirl.

~Will

PS: Forget elevator pitches; I'm doing escalator pitches.