Showing posts with label psychological thriller. Show all posts
Showing posts with label psychological thriller. Show all posts

Thursday, April 30, 2015

Ex Machina

     I was told to watch Ex Machina with the person I'd seen Her with. The movies are similar, both feature AI women portrayed beautifully. However tonally the movies could not be farther apart.  Ex Machina is a powerful film that plays with audience expectation and creates a setting that is striking and unique. 


     Alex Garland, of 28 Days Later and Dredd, wrote and directed the psychological sci-fi thriller. The film is a blend of thought provoking cultural importance and visual storytelling. The main characters are Caleb, a sympathetic hard worker, who has won the lottery to meet his boss Nathan, who Caleb describes as a Mozart of programming. The last of the major players is Ava, an AI created by Nathan that Caleb is to give a Turing test. A test to see if Ava truly has consciousness. 


     The cast does a phenomenal job. Domnhall Gleeson, who actually played an AI himself in Black Mirror, is believably tepid and Oscar Isaac is brutally intimidating, both physically and mentally, as Nathan. This is the first major role for Alicia Vikander, who plays Ava, who creates a strong dissonance between the humans. 


     The film is heady. All the major players are hyperintelligent. In a moment in the film Nathan and Caleb are sitting under a hut on Nathan's beautiful estate. The colors are constantly blue and green outside and inside, when the power cuts out especially, the walls are red. This is an ode to RGB color. Nathan and Caleb are sitting under the awning and Caleb says "I am become death, the destroyer of worlds." Nathan says Caleb is quotable. Caleb responds that it's a quote by Oppenheimer the inventor of the atomic bomb. Nathan says he nows.


     Ex Machina is masterfully rendered futuristic space with a plot that is created by characters working off each other in unfamiliar spaces. The film is powerful and wants it starts moving it can't be stopped.




Thursday, February 5, 2015

The Babadook

"If it's in a word or it's in a book, you can never escape The Babadook"



The Babadook is a psychological thriller released late November in 2014. Directed by Jennifer Kent, this film follows a mother (Essie Davis) and her young boy (Noah Wiseman) as they are terrorized by a monster known as the Babadook. Essie Davis plays a single mother, named Amelia, who tragically lost her husband and is trying to raise her son as he begins displaying more and more sporadic behavior.


One of the strongest aspects of this movie is the symbolism behind the monster the Babadook and what he represents. The Babadook is a physical representation of grief and how, if one does not come to terms with grief, it will eat away at them. When I first watched the film it was difficult for me to pick up on this symbolism; however, at the end of the film there is a scene that make it very apparent. It is not until our main character Amelia accepts that the Babadook will never go away, or that grief will never go away, that the monster stops attacking her. Amelia is then seen feeding worms to the monster, or feeding into and acknowledging the grief she has for the loss of her husband, that she is able to move on with her life.



There are few aspects of this film that I have a problem with. The Babadook is introduced through a children's flip-book that is, one day, randomly found in the families basement. While having a basement leading to horror aspects in a film is incredibly cliché, the art design of this flip-book was amazing.


Every scene that contained this book left me feeling creeped out and uncomfortable. My only complaint is that the monster was not nearly as frightening as the monster in the book. The Babadook is merely a tall man in all black with some white face paint and silver contact lenses. Also the same effects used in all horror movies to create tension and panic are used in this film: quick cuts, shaky camera operation, and dark lighting.



Overall, while I did not find this film to be that frightening I did enjoy watching it. I think that it was well shot, well written and had strong underlying symbolism. If I had to give it a rating I would give it a 7/10 and would recommend giving it a chance.

Friday, April 12, 2013

NBC's Hannibal


           





            Hannibal is an American thriller television series developed by Bryan Fuller for NBC. The series is based on characters and elements that appear in the novel Red Dragon by Thomas Harris and focuses on the budding relationship between FBI special investigator Will Graham and Doctor Hannibal Lecture a forensic psychiatrist destined to become Graham's most cunning enemy. The series received a 13-episode order for its first season.

The pilot was excellent. The cinematography is unreal in the show. The camera they use (unsure of the actual type) uses a very shallow depth of field, which really adds to drama of close up shots. There is also a very cool amount of color correction and grading that goes into the production. A lot of the time the changes in color correction matches with interesting edits.
           
Beside the visuals of the show, the script is amazing. The dialogue is so well written and is very intriguing. I really enjoy psychological thrillers and there have already been a ton of twists in the plot that has kept me wanting more. The acting performances are great and they are so convincing. The character development is amazing and there has only been two episodes premiered. I simply cannot wait for the show to continue.

Thursday, September 13, 2012

Psychological Thriller: "Donnie Darko" v. "The Butterfly Effect"


Recently I watched the films “Donnie Darko” by Richard Kelly and “The Butterfly Effect” by Eric Bress and J. Mackye Gruber back to back.  Both of these films are categorized as psychological thrillers and both films have many similarities in their plots. Both films played with the time space continuum, both films had characters who have supernatural experiences/powers, and both films featured a troubled protagonist you follow through it all.  Despite these films similarities at the end I found that I disliked “Donnie Darko” but loved “The Butterfly Effect,” and I had to ask myself, “Why?”

            “Donnie Darko” is the story of a teenager named Donnie Darko who hallucinates and sees a demonic bunny named Frank.  The bunny will put Donnie in a trancelike state and Donnie will do his bidding.  One day Frank makes Donnie sleepwalk out of his house, saving his life as a jet turbine that falls from the sky and crashes into his room.  As the story goes on Donnie feels like he owes the bunny for saving his life and his hallucinations get progressively worse until he feels as though he has discovered time travel.  In the end Donnie uses his “new found knowledge” to alter the past (I don’t want to ruin the ending so I wont get too specific).   However at the end of the movie I felt disappointed and almost annoyed.
As I mulled the movie over in my head I began to realize why I found the story so disinteresting.  When the plot is broken down the entire film is based off a hallucination bunny saving Donnie from a mysterious airplane turbine.  Although the airplane turbine was eventually explained it was still too far fetched of a conclusion to be satisfying. I feel that although it was well filmed, directed, edited and shot but the fact of the matter was the plot was not cohesive or believable enough for me.  I feel as though if the central event of the film was more realistic then I would have been able to get more into the movie. 


Inversely, this idea that the script and plot are central to the film is a main reason why I enjoyed “The Butterfly Effect” so much.  Although the central plot point of this film is about a young man named Evan Treborn has a supernatural power to travel into his past it was so well set up and well developed that this seemingly far fetched idea became believable. The teleportation of Evan back in time in order to save his future and the futures of those he loved was beautifully executed.   The ability of the film to catch the audience up to the “new present,” transforming years into only seconds was amazing. However what really impressed me was the preservation of cause and effect in the film and the realism of the outcomes, or new futures, that were created though Evan’s travels into the past.  The writer/filmmakers also had an understanding of their audience.  This is apparent when the filmmakers play into everyone’s worst fear that the protagonist Evan is in fact insane and that he has been imagining his flashbacks the whole thing.
I feel as though these movies stand as prime examples for what good writing can do as well as the determents of having an unbelievable storyline.  In the genre of “psychological thriller” the plot is imperative to the success of the film in the eyes of the viewer.  In my opinion if things do not come full circle and there is no clear/or realistic revolution, especially for this genre of film, the film will not satisfy the viewer.  It goes to show that, for the most part, even if you shoot a beautiful film if the script/storyline are not compelling or believable then in the end the audience will not be satisfied.