Saturday Night Live: Comedy Daycare

I like to think of Saturday Night Live as a daycare for comedians with Lorne Michaels as the overruling nanny for all the little kids who don't know any better. After 40 years on air, it's a proven staple on our television line up. It's popularity has only risen in recent years because of Internet video sharing, and sites like YouTube, in which 4-6 minute videos are all anyone's attention can handle. Not only that, but we've seen the success of past SNL comedians and the all the brilliant work they've done after leaving the show. With people like Will Ferrell, Tina Fey, Adam Sandler, Eddie Murphy and countless more, the potential for success after leaving the show is very high. So like I said, it's a daycare. Young, talented comedians come in and play around with their funny and creative ideas. They grow and step into their comedic talent, mastering impressions and nailing their punchline timing. It's very obvious which cast members are brand new and which are the veterans. All the while, Lorne Michaels watches over with an insightful eye and approves or disapproves of whatever skit is being pitched. He turns these no name youngsters into show runners and head writers. It's a given that some skits will work and others will completely miss the mark, but that's part of the growing process for all these comedians.
 After leaving daycare, many of these talented jokesters have gone on to write and/or star in our favorite television shows. Most recently, Tina Fey and Amy Poehler have finished their long running shows, 30 Rock and Parks and Rec. In addition, many of SNL's recent departures are now putting their footprint on the industry. Fred Armisen, who was on SNL for 13 years, is now in his 6th season of Portlandia, which he created. Last Man on Earth, Fox's new hit comedy, stars Will Forte who spent 10 years at SNL. Andy Samberg, digital short genius and 8 year cast member, is now the star of Brooklyn Nine-Nine and recently hosted the Emmys. Kristen Wiig gifted the world with Bridesmaids, and Seth Meyers is the host of Late Night. These recent SNL grads are only at the beginning of their post-SNL career and have a lot of room to grow. 

All in all, we should thank Lorne Michaels for creating such a program to help these comedians grow. Who knows if Tina Fey would have ever written Mean Girls or if Will Ferrell would have starred in dozens of hilarious comedies. Maybe? Probably not. So for all those new cast members who are awkward and mess up their lines, you may have your own show in 5-10 years. Hell, you may even host The Tonight Show.

The Emmy's Nailed It

It's very unusual that anything in Hollywood happens with few critiques. This year's Emmy awards did just that, keeping the viewers entertained and successfully avoiding any dragging moments in the entire broadcast. The night went without controversy and celebrated television in a way that only focused on the beauty of television itself. Andy Samberg came out strong in his first experience as host, keeping everything moving quickly in a light and fun way, setting the tone for the entire night. The award show was filled with beautiful moments, along with speeches that didn't make you fall asleep during those two minutes. Game of Thrones took home a record number of awards, to everyone's delight and no one's surprise. And this year we finally got to see Jon Hamm receive an Emmy for his performance in Mad Men, after 7 years of nominations. It was a touching moment that even the actor couldn't wrap his head around, saying over an over "This must be a mistake." Now if only Leonardo DiCaprio can finally get his Oscar....

The night held a few more touching moments, including ones from Viola Davis and Tracy Morgan. Davis, who won best lead actress in a drama, accepted her award with a speech that moved everyone in attendance. She spoke fiercely about how colored women are only as successful as their opportunities, and those opportunities being the only thing that separate them from anyone else. Samberg followed by saying "Hollywood fixed racism! Don't fact check that." Towards the end of the night we witnessed a touching moment as Tracy Morgan returned the stage for the first time after his car accident. He addressed his past year with both tears and laughter, warming the hearts of everyone.

The night's only major fault was their decision to tribute the shows that just ended by showing clips of their finale. Hello, major spoiler! Don't they know no one watches anything live anymore? While the intent was good, it was a bit unnecessary and the Twitter world was not happy about it.

Yet, overall, this year's Emmy show truly killed it. It was entertaining, funny, heartfelt, and never felt like it was dragging. The stage was futuristic and beautiful, and the host was a perfect choice. Great job, Emmys, you nailed it.

Brooklyn Nine-Nine

After tearfully finishing the series finale of Parks and Recreation, I needed to immediately watch another show to pick me up out of the post-finale sadness. I turned to Brooklyn Nine-Nine, a sitcom co-created by Daniel Goor and Michael Shur (Shur co-produced Parks and Rec in addition to The Office). So I figured this would be a good choice. As far as pilots go, it definitely caught my interest.

The sitcom follows smart but immature NYPD Detective Jake Peralta (Andy Samberg) and his fellow detectives plus conflict with the new commanding officer Ray Holt (Andre Braugher). The pilot opens with a very close up & melodramatic monologue from Peralta. Even though the opening is meant to be comical on Peralta's part, it still drew me in because there was dramatic music, a close-up shot to show intense emotion, and even some slow-motion movement. It was a quote from another movie, but nonetheless it made me want to keep watching. Peralta's monologue is cut off by his partner Detective Amy Santiago (Melissa Fumero) trying to solve the crime, and changes to a single-camera shooting method with many fast zooms. (very similar to The Office and Parks and Recreation styles). Throughout the episode, Peralta finds that all of his work methods are under scrutiny by Holt, including, but not limited to, his lack of cooperation to wear a tie, slightly offensive comments, and method of capturing criminals.

The secondary characters (the other detectives) are introduced by the Sergeant; there is b-roll of the character doing something ridiculous while he narrates the basic characteristics of their character. They include Detective Rosa Diaz (Stephanie Beatriz), Detective Charles Boyle (Joe Lo Truglio), and Gina Linetti (Chelsea Peretti). They are all very funny, have great chemistry with the main characters, and contribute a lot to the story.

The seeds of other funny storylines have also been planted, such as the rivalry between Peralta and Santiago. They have a bet for who can make more arrests; if she makes more arrests then he has to give her his nice car, and if he makes more arrests then she must go on a date with him. There is clearly a lot of sexual tension between them, so I suspect some sort of relationship will develop. It was also revealed later in the episode that the new captain is gay, so future episodes will probably lean on that fact heavily. 

I really enjoyed the pilot, and will most likely watch more episodes in the near future. (Especially since Andy Samberg is one of my favorite comedy actors).

Brooklyn Nine-Nine has been a hit so far and has recieved very positive reviews and awards! At the 2014 Golden Globes it won for Best Television Series (Comedy) and for Best Performance by an Actor in a Television Series (Andy Samberg). It has also just been renewed for a third season! 

You can catch episodes of the series on Hulu.

5 Phases of Making a Fiction Field Production I Film

Well my friends, it's that time of the year. Picture Lock season. Each and everyone of us has worked hard, suffered greatly, and felt like we've gotten nothing accomplished. But as we near the end of our filmmaking journey, I want to reflect on the steps we've taken (or at least I've taken) to get to this point.

5 Phases of Making a Fiction Field Production I Film

1. Pick Your Group
Though this seems like an easy task, the cooperation of your team members can either make or break your film and/or mental state. A group that works well together and has members with different strengths makes the difficult process of making a film a little bit easier. They become your family. Either you love them or you hate them, but you're attached to them no matter what. Thankfully, I got lucky and have a really strong group with some great people, and they have become not only my coworkers, but my friends.

2. Pre-Production
You're all so excited. "We're going to make a movie!" You assign jobs, then start planning how the rest of the semester is going to go. You have to write the script, find sponsors, start a fundraising campaign, get actors, get additional crew members, get locations, storyboard, start production design, the list goes on... forever. But you're bright-eyed and bushy tailed, ready to take on this film and make your family proud. So how do you get started? You don't... for weeks. Because you think you have time. You have all semester! Why bother?

Don't worry, it'll all get done. Right?

3. Beginning Production
Nope. You were wrong. You were so, so wrong. By now you've wasted at least three weeks, spring break has come and gone and you haven't even casted. The script may or may not be done (sorry guys, my bad), and you have to start filming in a week. As of right now, your blood pressure is shot through the roof. You have to distribute flyers and still make a blog post. Coffee is your new best friend. But you get together with your group and you muddle through it, dealing with one crisis after another to start on time. You are now familiar with panic attacks, but feel like you have gained superhuman powers at the same time. This is what adulthood feels like, and although you're unsure of the future, you go into the next phase head on.

4. Production
You're in the heart of your production phase. Check your pulse. Yes, you're still alive, but barely. You haven't slept in what feels like years. Your friends and family are worried because they haven't heard from you and don't know where you are. You forget that you have other classes, and your grades suffer from it. Coffee is not your friend, but has become a part of your bloodstream.

Schedules are no longer set in stone. Film shoots are temperamental, either convincing you that you will be the next Steven Spielberg or making you rethink your entire career and future. Arturo laughs as your health deteriorates, slowly but surely. Someone, if not every single person in your group has had some sort of a mental breakdown. But post production is so close, so you torture yourself a little bit longer, hoping and praying that something, ANYTHING good will come of this hell known as filmmaking.

5. Post-Production
You think you'd be relieved, but the work has really just begun. This is the part where you save your film from every little and big mistake that you've made during pre-production and production. And it all falls on the one or two people you call your editors. Thankfully, this is not me, but I have a feeling my work is not done. As we approach this stage of our voyage, I can only hope that it's smooth sailing. But like all of my hopes and dreams this semester, I'm fully aware that this will not be the case. Until then, I'll live my life day by day and hopefully come out of this with at least one lesson: Making films is hard. If anyone ever says anything different, this semester has shown me that it is completely appropriate to react with physical violence.

So to everyone in my class, and all future Fiction Field members, I wish you luck as we come to the close of the longest (yet shortest) semester of my life, and I look forward to all of our hard work to translate into something we're not embarrassed to show even our parents.

(Bonus) Wrap Party

Hot Rod

As I mentioned in our class introductions, I am extremely interested in comedy. I love comedy films, stand up, SNL, and pretty much anything on TV that will make me laugh. In my current college lifestyle that is filled with class, athletics, and campus activities, I think that it is essential to create time for yourself and just laugh. This week during my own free time, I decided to cruise Netflix for a comedy that could brighten my day. I came across the film, Hot Rod.

Hot Rod stood out to me because of it's star studded cast. Headlined by Andy Samberg, the cast also includes Jorma Taccone, Bill Hader, Danny McBride, Isla Fisher and Will Arnett. Andy Samberg plays Rod Kimble who is an aspiring stuntman like his deceased father, who was Evil Knievil's side kick. The only problem is Rod thinks he is much better than he is actually is: Hilarity ensues. Throughout the movie Rod tried to raise money for his dying step dad so he can prove to him that he is a man. Only his step Dad continually beats him up everyday to prove that he is quite the contrary. Rod finds himself a team and decides to raise money to help pay for his step dad's heart operation. Throughout this process Rod lights himself on fire, attempts a full pool jump (fail), and blows himself up. 

What truly makes this comedy a standout is the references to the 1980's. Weather it is the whacked out apparel that Rod trots out in, or the lines he drops during scenes ("2 Legit 2 Quit"), Samberg steals the show. My favorite scene is the movie is the spoof of the Footloose "Angry Dance Scene." Here is a clip: 

Overall, I thoroughly enjoyed this film and it served as a perfect pick me up for this week. I would recommend this to any of the readers who feel the need to belt out a few chuckles. Enjoy!

-Mike Vulcano