A new way of looking at films

I recently discovered a new tumblr, which is often dangerous to my productivity, but I've found this one particularly interesting as it offers an interesting new way of looking at films.  It is called moviebarcode, and it posts single images, or barcodes, representing the entire course of a movie.  These images are made up of a number of still frames, evenly distributed throughout the movie, which are then stretched upward so that only the main color information remains.  It offers a very nice, birds-eye view of the art direction and overall color tones and moods of a film.  There is also an index so that you can easily look up movies you are interested in.

O Brother, Where Art Thou (2000)

For example, this is the barcode from the 2000 film "O Brother, Where Art Thou".  This was the first film to be digitally color graded in order to make an artistic choice.  In this case, much of the footage was tweaked to make the landscapes look drier and more golden, to fit the setting of the Dust Bowl in the midwest.  This is easily apparent in the barcode, which is overwhelmingly gold and beige.  You can also see, right at the very beginning, how the film starts out in black and white, before the saturation is added back in to produce the color.

The Matrix (1999)

Here's another example: The Matrix.  Almost every scene in The Matrix has a distinctive green tint to it, which is easily apparent in this image.

Harry Potter: Complete Series (2001-2011)

This is one of my favorite examples, because it shows some of the applications that these images could have.  This is all eight Harry Potter movies, sequentially, which means we can see some interesting trends.  First of all, we can see that the mood of the series gets progressively darker, until the last installment is almost entirely black.  This visual trend clearly follows the tone of the films and the stories themselves.  It also shows the differences in the styles of the directors; for instance, Chris Columbus filmed the first ones primarily inside, which is shown by all the warm tones at the beginning of the image.  When directing the third installment, Alfonso Cuarón made the conscious decision to shift to a more outdoors, location based film, which is shown in the abrupt transition to blues and greens.

By looking at multiple films at once like this, we can observe patterns, similarities, and differences that are both interesting and useful.  Using these images could be an easy way to examine multiple films by broad categories such as genre or time period, which might expose some of the stereotypes or tropes that are used in different types of filmmaking.

Glidecam HD-2000

  This past month I was given the opportunity to use a Glidecam HD-2000 camera stabilizers to mount my camera and shoot handheld.  I just wanted to explain some tips I learned while using the stabilizer and talk about my experience.

  The Glidecam was suggested to me by one of my friends who owns one because he said it would aid in stabilizing shots and take out natural shakiness of simply shooting handheld.  I took his advice and he allowed me to borrow his Glidecam.  Upon first getting the Glidecam I had to recalibrate the stand for my own camera.  I found that since I only have a zoom lens for my DSLR I needed to extend the lengthen the main rod in order to counter balance the extra weight of my camera(this could also be achieved by adding extra weight to the stabilizers and keeping the stand the same weight, however it would make the rig heavier and more difficult to use).  After that I had to calibrate the rig to perfectly balance my camera so the rig would stay right side up.

  Once I finished calibrating I began to practice.  To properly use a Glidecam you must use two hands.  One hand to hold the handle which holds the majority of the rigs weight, and the other hand to lightly and delicately hold the main rod of the rig and point the camera.  After an extreme amount of practicing I went out to the shoot and used the rig.  I can honestly say that the camera not only increased perceived  the production value of the project, it substantially improved the quality of the work by allowing for fluid movements unattainable using simply a handheld camera.  Although our film encompassed both Glidcam and handheld shots (depending on motivation) I personally enjoyed watching back the shots taken on the Glidecam substantially more.  After using the Glidecam for only a short time I am convinced that this tool may be worth the investment in order to improve the quality of my projects.

M. Night Shyamalan's Unbreakable

Recently, I revisited the movie Unbreakable (2000, M. Night Shyamalan). The movie is centered around David Dunn (Bruce Willis) and Elijah Price aka Mr. Glass (Samuel L. Jackson). M. Night Shyamalan is not my favorite director due to some of his poorly executed works (ex. Devil) but some of his movies, such as The Sixth Sense (1999) and Signs (2002), are my favorite films. Samuel L. Jackson hasn't exactly been in the best movies but when he is in a well directed and well written movie, he does an amazing job (ex. Pulp Fiction). Bruce Willis has been in multiple movies that include Samuel L. Jackson but he is also an actor that seems to waste his talent in nonsensical blockbusters that include corny one liners and gratuitous explosions. Unbreakable highlights Willis's and Jackson's talents and is unlike any super hero movie I've ever seen.

The movie starts by showing the unusual birth of Mr. Glass, followed by the title sequence, and then shows Bruce Willis in a train. He removes his wedding ring as an attractive woman sits  in the open seat next to him, indicating that his relationship with his wife is disintegrating. He tries to seduce her but he says all the wrong things and she moves to another seat. The train starts to make strange noises and speed up and the scene cuts abruptly indicating a crash. The first shot is a one shot sequence and is about ten minutes long. The next shot is of Willis in the hospital and the doctor explains that he was the only one to survive on the entire train and walked away with no injuries at all. Willis leaves the hospital and passes all the families in the hospital mourning their lost ones. This sequence is one of my favorite shots ever.



The movie is about David Dunn (Willis) being indestructible and having super strength and Mr. Glass (Jackson) is extremely fragile and breaks bones often. Mr. Glass works in a comic gallery and when he hears about David Dunn surviving the train wreck, he finds him and explains that he believes he is a superhero. Dunn denies it and thinks that Mr. Glass is a freak. Dunn has the ability to sense what people have done wrong in the past by touching them and is able to bench press upwards of 600 pounds. He looks into his past and discovers that he was the only one to survive a car accident, a fire, a plane explosion, and has never been sick. The only incident where Dunn almost died is when he nearly drowned in a lake as a child. Dunn ends up saving a family from a murderer but almost dies when the murderer pushes him into the pool (water is his only weakness). Jackson's character is obsessed with Willis's. At the end of the movie, the audience learns that Mr. Glass (Jackson) has been following David Dunn (Willis) for his entire life and caused all the catastrophes to prove that David Dunn is truly "unbreakable."

Many shots in the film are long one shot scenes. Shyamalan also includes many indirect reflection shots such as a long shot pointed at a TV that shows the reflection of the characters in the room. Shyamalan also idolizes Alfred Hitchcock and pays homage to him by making a short appearance on screen. In Unbreakable, he plays a man that is suspected of selling drugs and says only three lines to Willis's character.

Unbreakable is by no means a traditional superhero movie and each character is unique and well developed. Shyamalan's cinematography is exceptional and unique and it is obvious, through each shot sequence, that he idolizes Hitchcock's style. There is no ridiculous action scenes and it focuses on the personal life of an unlikely superhero. Watch Unbreakable.

-Matthew Hadley