The third wave of feminism is, I would argue, being dominated by shifts within media and the representation of female narratives and experiences. Trainwreck, starring Amy Schumer and Bill Hader, flips conventional notions of gender and the romantic comedy genre on its head. The story follows Amy, a young adult living in New York City, whom grew up thinking that monogamy was unrealistic. She carries that mantra with her as an adult and fills her life with one night stands, but never anything more. She's happy that way, and funny enough it's the men she sleeps with that crave intimacy and a relationship--a total twist on traditional notions of what women are seeking vs what men are seeking in the world of love and romance.
We're seeing a slow evolution of the romantic comedy--and it's much needed. What was once a standard, stereotypical formula ripe with rigid gender roles is being reinvisioned by fresh plots. It's about time.