Really, the process is incredibly simple. Just set up two cameras 2 1/2 inches across from each other. Shoot your material, and edit the film with one video feed. Once your done, match up the other side's footage, superimpose it, and color one red, the other blue. This will work fine for anaglyph glasses, which is the old-school flavor of 3D films. If you are interested in polarized 3D, then you are looking at much more expensive equipment, but the process is the same.The hard part is in mastering the technicalities and subtleties of the format, and using it as part of the story telling rather than the ticket margins. It is increasingly obvious that this is where the industry will be focusing on for quite some time, so it is well worth it to get immersed now. Movie making has always favored the innovators, and there is still a great deal of innovating to do in this medium.
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