After reading the chapter on Char Davies and her VR installation called "Osmose" in our text, I was very interested in the idea of having the participant use their breathing as an intuitive way of interfacing with the technology. Perhaps by having such an organic method of controlling their movements, immersants could place themselves in a right-brain mode, evidenced by reportedly losing track of time, an inability to speak or describe their experience, and a different sense of spacial awareness. I found myself wishing to experience that which was described, something that could be thought of as Morton Heilig's fitting definition of Art, a "transfer of consciousness."
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