Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts
Sunday, April 10, 2011
Your New Desktop Background
I was shown this video yesterday of a Canon camera commercial. Now I know the whole thing is designed to advertise Canon, but the images they come up with are so cool. I'm not going to give anything away, so you have to the video for yourselves.
Thursday, February 24, 2011
Story-boarding: Is It Art?
Since we've been talking about storyboard drawing and all the different ways one could it (simple stick figures, second-life, et cetera) I thought I would introduce everyone to a pretty cool sample of storyboards. Japanese director Akira Kurosawa's first career was as a painter, so when he began making films we would paint his own storyboards. Some of them have actually become well-received especially the storyboard for his film Throne of Blood because of its similarity to the actual film. I know that it would be really time consuming to storyboard this way for this class, but here is an example anyway.
Monday, March 22, 2010
Visualization paper
Hi everyone. As the resident painter in the class, my Visualization paper is about contemporary art and the use of Photoshop. I am writing a longer paper because I hope to submit it to a few journals. So I don't think I will have it completely done by tomorrow, though it is getting quite long. The artists I am focusing on mainly are Cory Arcangel and Julie Mehretu. David Hockney and Kevin Appel's work will also be mentioned to a lesser degree. I was wondering if the class had any insight on other artists that could be mentioned to compare or contrast? They do not have to necessarily present their work digitally but they do have to maybe illustrate or demonstate something to do with Photoshop. For example, I'm using an article about Leonardo's presentation drawings to support some of my research. I know our class thinks very out of the box so I hope someone can give me insight for a new angle!
Monday, January 25, 2010
Mark Tansey
Sunday, January 17, 2010
The Hockney-Falco Thesis

Any discussion of theories of perspective is not complete without discussing the Hockney-Falco thesis. The thesis was developed by the painter David Hockney and the physicist Charles M. Falco.
from wikipedia:
As described in Secret Knowledge, in January 1999 during a visit to the National Gallery, London Hockney conceived of the idea that optical aids were the key factor in the development of artistic realism. He was struck by the accuracy of portraits by Jean Auguste Dominique Ingres, and became convinced that Ingres had used a camera lucida or similar device. From there, Hockney began looking for signs of the use of optical aids in earlier paintings, creating what he called the Great Wall in his studio by organizing images of great realistic art by time period. What he saw as a sudden rise of realism around 1420, combined with Charles Falco's suggestion that concave mirrors could have been used in that period to project images, was the germ of the Hockney–Falco thesis.
Labels:
camera obscura,
lens,
optics,
painting,
perspective
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