The Darjeeling Limited

    King of the Sadbois, Wes Anderson generates stories that are unique visually and, especially earlier in his career, walked a line between amusingly absurd and deeply troubling. The Darjeeling Limited is his most perplexing and exotic film. 

     The film stars Owen Wilson, Adrien Brody, and Jason Schwartzman as brothers who are taking a train ride through India to reconnect after the death of their father. The characters deal with complex relationships that center around the mental health issues their patriarch's passing has caused. 

     Like any Wes Anderson film, the visuals seem almost like a picture book. Robert Yeoman composes the shots so they are symmetrical and balanced and the characters seem to move along distinct planes. What makes this movie slightly different from his other works is that a lot of the film is extremely crowded. 

     The train is a naturally confining space which pushes and compresses the brothers closer together. Additionally, Anderson consciously burdens the scenes by putting all three brothers in the frame at the same time. 

     The Darjeeling Limited has the most distinguishably production design of any Wes Anderson film, the colors are almost entirely blue and orange.

     Until the very end and the emotional climax when Anderson switches to a more neutral green. 

     This may be Anderson's most strikingly pretty film. However, it fails to be his best due to story and structural failings. There are several obstacles that the brothers face that could be considered end of Act Two moments. Whenever the brothers are faced with conflict they back down and when they are offered an option to leave they turn around and go back. This creates a meandering journey in which each brother has his own emotional climax rather than the family having an emotional climax together. Additionally there is a long flashback scene that doesn't add to the plot or the character development.

     The Darjeeling Limited is not Wes Anderson's best film but is one of the most poignant. Complex characters and visuals create a interesting dynamic. However, its structural issues bring the movie down. Wes Anderson, instead of doing his usual and making an amusing movie that is also sad, makes a sad movie that is amusing.

The Grand Budapest Hotel: Set Design Done Right

Over spring break, I was lucky enough to visit the AMC movie theater in NYC. What’s special about this theater is that, unlike the normal, relatively comfortable seating that is generally in movie theaters, this place had beautiful, plush, reclining seats. I cannot begin to express to you how much more enjoyable my movie experience was, and I would go into further detail, but I don’t want to get sidetracked.

What I really wanted to talk about was the movie that I saw. I went to see the Grand Budapest Hotel, written and directed by Wes Anderson. If there were a way to describe this movie, I would say that it is very “Wes Anderson” (if that makes any sense). The entire movie was very fast paced both in dialogue and in action. The storyline was interesting and there were a ton of stars such as Ralph Fiennes, Adrien Brody, and of course the short appearance of Bill Murray. But although the story and cast were captivating, the real star aspect of this movie was the set design and art direction. The entire film was flooded with bright colors and large, detailed spaces. Here are a few pictures to show what I am referring to:

If only for the set design and art direction, I would highly recommend you see this movie. The colors are beautiful and detailed. The cinematography is creative and the costumes are fitting. I would also highly recommend seeing this film in a movie theater because all of these things are much better seen on such a large screen (and of course if you can go somewhere with comfy reclining chairs, I would recommend that too).