Interstellar

I finally got around to watching Interstellar and I have to say I was blown away.

The storyline was phenomenal and very original. While I found the story somewhat hard to follow after a little bit of hard thinking I was able to wrap my head around the concepts the movie was built around and i was blown away.

The ideas presented in the film around blackholes was fairly accurate in contrast to ideas I learned from my astronomy class. Blackholes are created after a very large star goes supernova and implodes. After an object reaches a certain level of mass then the gravity from that object gets to the point where its mass increases and size decreases because of the force of gravity is so strong.

This causes a blackhole and it is thought to cause a flex in out dimensional plane which then opens many more doors to different theories of how space time works, making the plot of interstellar somewhat believable which, in my opinion, is why it was such a great film.

How Much Special Effects is Too Much?

We are in an odd time for film where many films are created with the use of so much green screen and special affects that it's become frieghtning to some filmmakers. Directors like Quentin Tarantino will one day leave the industry because of the increase in special affects and the decreasing use of film in the medium. Some say it is the death of cinema and to a degree I would agree. Cinema as we knew it is dead, but it is not gone.

With superheroes soaring over the box office it's no surprise why cgi and special affects are dominant in the industry today. But the question is can there be too much of it? Well lets look at a some examples. If you compare the Star Wars prequels to the original trilogy it is easy to see that the more recent films use a ton of cgi and special affects. And because of that so many fans of the series will immediatley credit that to why the prequels are abysmal compared to the original trilogy. The way I see it is the reason those films are not as great is because of a lot of other issues that could be discussed for hours on end. But in short that is not even close to why those films are not amazing. I'm not saying that there can be bad cgi and special effects. Oh no there can be really bad special affects that can ruin a whole movie (I'm looking at you The Mummy Returns) but as time progresses the use of cgi only helps the film industry.

Stories, stories and more stories. I said it now and I will say it again, with more ways and deviations to creating a film the more different stories can be told. Look at Gravity and ask yourself if that movie could have been created ten years ago. Or Life of Pi? Both of these films used so much cgi and special effects that it becomes hard to know what's real and what isn't. Without special effects both of these films would not exist. It's all about how you go about using them really. Look at The Guardians of the Galaxy and Dawn of the Planet of the Apes and their use of special effects. It may sound dumb but both of these films made me cry. And the even worse part is that it wasn't the human actors that made me cry, it was a talking tree, a talking raccoon and a talking monkey (this is just as hard for me to type as it is for you to read). The use of motion capture has advanced so far that these creations have become believable and at times really something special. So at this moment in time it's not about how much special affects you want to use but how you go about using it. Write a good story, with great characters, make a film beautiful, and then you can add as much special affects as your little heart desires.

Throwing Sound

The concept of throwing sound is a very interesting one. Placing a sound in a specific place is very difficult due to the eternal movement of sound waves. There is product out now that can throw sounds wherever you want them. Granted the speaker is the size of an old flip phone so theres not much output volume but nonetheless it is very cool.

Basically there is a small parabolic speaker that has a coned shape in order to "shoot" sound wherever you want. The effect is that you can point the speaker at someone and only they can hear it, like a whisper in their ear; when you move it away from the person it sounds like the sound is bouncing off the wall behind them. Difficult to explain in words but very easy if its actually been done to you. I found out about this product from a guest speaker in one of my classes who used chirping crickets to demonstrate the soundlazer to my astonishment. I had never heard such precise placement of sound I almost cried. In the entertainment industry, parabolic speakers are becoming increasingly popular in mixing sound for movies due to the precise location of the sound. Many new speaker systems are incorporating these speakers so engineers can adjust not only the direction of the sound but the HEIGHT of the sound. So say you're watching a movie and spaceship moves from the bottom of the frame to the top, you would hear the sound "underneath" you. Once the spaceship moves to the top half of the screen it would sound like it is "above" you. This was used in Gravity with amazing results and will soon become the new normal for mixing action movies. 

The Anxiety Attack that is Gravity (Spoiler Alert!)

     I hadn't seen Gravity until after it won several Academy Awards and after I'd heard raving reviews, but it was well worth the wait. Despite giving me anxiety attack-like symptoms throughout the entire movie, I couldn't look away until the end credits rolled.
     The cast was made up of just a few secondary characters that appeared only briefly as well as two A-list actors, George Clooney and Sandra Bullock. Despite having a small, focused, top of the line cast, the movie didn't focus on promoting Hollywood and Hollywood actors but rather on the characters and the story. Sandra Bullock played her part so well that I forgot that she was Sandra Bullock, famous actress, and saw her only as Dr. Ryan Stone, the alone and afraid medical engineer on her first shuttle mission to space. I felt her fear more than I'd ever felt fear from a character. I imagined myself in her place and I panicked inside.
     Dr. Stone spent the vast majority of the movie floating around in space with no space shuttle to return to, no real knowledge of how to get back down to Earth, and no one to help her. Since I already had an irrational fear of outer space, this was particularly horrifying for me to watch. I was rooting for Stone the entire time, as was everyone else who saw the movie, I'm sure. I wanted nothing more than for her to choose to live and to figure out how to get home. However, that didn't seem like a likely possibility to me, given the circumstances, her lack of experience in outer space, and her lack of training in this type of situation.
     For those reasons, I was utterly shocked but also unbelievably happy when she finally crashed down into the ocean on Earth. She had made it, and I couldn't imagine the amount of courage and calm that it would take for a person to do that.
     But it couldn't be that easy. When she opened the door to the tiny shuttle she was in and the ocean water started rushing in, my panic attack began. How could she get through a catastrophe like that in outer space by herself only to get home and drown?! Apparently Dr. Stone thought the same way and she just kept on fighting until she got herself out of the shuttle and swam/drifted to shore.
     The last shot of the movie was of Dr. Stone grabbing onto the beach she washed up on and finally standing up on land for the first time since she left Earth and experienced that disaster in space. We see her muster up the strength to walk into the land and the credits roll. That last shot really got to me. I can't imagine what it must feel like to feel the land beneath your feet and the force of gravity for the first time after spending a while in outer space, floating around. After the turmoil that Dr. Stone experienced, it must've been an incredible feeling.
     I had to remind myself several times during this film that it was just a movie and that Dr. Stone was just a character. I became more emotionally attached to the character than I normally do. At the same time, I spent a lot of time wondering how the filmmakers made this movie. The visual effects were amazing, and I think the simulation of zero gravity is really interesting and even more interesting when an entire movie is filmed using it. There wasn't a single aspect of this film or its making that didn't grab my attention and hold onto it for its duration. I'm glad I finally got around to see it, and I think everyone should do the same, if they haven't already.

American Hustle

The 86th Academy Awards are in just a few days, and the movie American Hustle has been nominated for 10 awards including Best Original Screenplay, Best Film Editing, and Best Production Design.  Not only is the story captivating, but the acting is phenomenal.  When watching the film, you truly believe you're in the disco era.  The costuming, hair, and makeup was spot on, and accompanied by a "groovy" 70s soundtrack. The movie is built around reinvention -- a concept of the American Dream. During the 2 hours and 20 minutes the audience follows a scam-artist (played by Christian Bale) as he ambitiously pushes boundaries.  American Hustle perfectly balances comedy, tragedy, and romance.

American Hustle will be most closely competing with Gravity this year at the Oscar's...both films were nominated for 10 awards, and 12 Years a Slave follows closely behind with 9 nominations.  All 3 films are nominated for Best Directing and Best Picture.  While I can't speak for Gravity and 12 Years a Slave (I still have yet to see them), I am very optimistic that American Hustle will walk away from the Oscar's with a few awards.  I guess we just have to wait until March 2nd to find out!

The Sound of Gravity

The movie Gravity, written and directed by Alfonso Cuaron elevated the standard for how things should sound in outer space entirely. Although their have been so many brilliant films located in space, such as Star Wars, and Alien, Gravity set a more realistic version of space's ambient tone. Because in space sound cannot be transmitted throughout the atmosphere, essentially nothing can be heard. But because of brilliant audio engineers, and Cuaron's artistry the sound comes from the perspective of the actors interaction with elements. If the actor grabs or touches something the vibration will travel into their ears. For people who haven't worked on sound, or know very little about it, this means all of the sounds you hear in the movie DOES NOT come from recordings on set, it is entirely recorded separately.

If you haven't seen the movie, which I recommend you do the film is about shuttle explorer STS-157, on which Dr. Ryan Stone (played by Saundra Bullock) who is on her first mission. She is accompanied by Matt Kowalski (played by George Clooney) who is on his last expedition. During a spacewalk mission control channels the Explorer (the name of the shuttle) that there has been a Russian missile strike and the debris is headed their way. Minutes later a cloud of debris hits the shuttle and detaches Stone leaving her drifting alone throughout space.

What I find so fascinating about the movie, is because it comes from the actors perspective, who is flying around in space, the music and the sound are constantly traveling around you. Cuaron and the engineers composed the sound to surround you and pan into different speakers. What this did was it built up the emotion and fear into being lost in a completely different world, and made you feel like you were there. For sound nerds like me, the plug-in the engineers used to pan the sound and the score is called "Atmos" which is located in Pro- Tool 7. Whats so cool about this plug-in is most of the panning is automatically tuned by the program itself. According to the re-recording mixer Skip Lievsay who worked on No Country for Old Men, Fargo, and No Country For Old Men, most of the scenes were autopanned with Atmos.

The love and the passion that Cuaron puts into the cinematic experience of the movie encourages me  as I enter the beginning stages of my career. It proves that with countless hours of work, very little sleep, and a lot of drive you can create anything. I sincerely hope this movie lives up to its potential at the Oscars. For 90 minutes I was convinced I was lost along side Saundra Bullock traveling with nobody in outer space. And the music and sound had me on the edge of my seat during this terrifying situation.

Gravity: A Movie Out of this World

 
Cut to black. Credits roll. I usually stay through the credits when I see a movie. I mean, I want people to stay through the credits when my name is up there. But I didn't just stay through the credits. I stayed about ten minutes after the credits ended, until the man trying to clean up asked my friends and me to leave. The words spoken between us were few in that car ride home. We were actually speechless, completely shocked by what we just experienced. We needed to take it all in.

I knew Gravity would be incredible, but I did not expect to leave feeling the way I did. To be truthful, I've never left a movie theater feeling that way. I imagine it's how audiences, back in the start of cinema, felt when a train went by and they thought it was going to hit them. Or possibly how the audiences at the first Star Wars film felt. But this, this was unlike anything I have ever seen.

The story was nothing we haven't seen before. Astronauts up in space. Something disastrous happens. Stuck up there, trying to survive. Even down to the George Clooney character, Kowlaski, of the veteran astronaut in a state of nostalgia on his last mission to space. Nonetheless, I was sucked into this world. Completely captivated by the world Alfonso Cuarón created within minutes, I can only really describe the experience as an hour and a half long anxiety attack...in the best way possible, of course.

The movie is easily Sandra Bullock's best work. I so quickly felt connected to her character, Stone, despite barely being able to see her face through her spacesuit. Cuarón pushes her to new levels that we've never seen from her as an actress. She has my full support for the Oscar for Best Performance by an Actress in a Leading Role. But I could go on about how incredible Gravity is forever. So I'm sticking to the opening shot. The 17-minute take is an absolute masterpiece, shot by cinematographer Emmanuel Lubezki. Beware: spoilers of the first 17 minutes of the film lie ahead.

The film opens to a shot of earth from space, which is the most realistic earth I have ever seen. Slowly, signs of life begin to emerge, as we hear faint radio chatter and a distant space shuttle, satellite, and astronauts enter into frame. While Kowlaski jokes around with mission control, Stone clings onto the telescope, having minor health issues and struggling to fix a component. The camera weightlessly glides from each character, almost as if it drifts along in space with everything else.

The tranquil scene is disrupted when mission control tells them to abort the mission, explaining that debris from a broken satellite has created a domino effect. Before they get the chance to make it back to their shuttle, the debris arrives bringing a deadly hail of missiles towards them. The camera pans to the astronauts who try to evacuate, with debris flying past them, so realistic that I flinched.

When something big crashed into the shuttle, it starts spinning, bringing Stone with it. The camera watches as she spins around and around with earth in the background. When something else crashes into the shuttle, the arm attaching Stone to the shuttle breaks off. The camera fluidly focuses in on Stone and begins to spin with her, close up on her terrified face. Then seamlessly, the camera turns, as if moving naturally in zero gravity, making its way behind Stone's glass. Now inside her space helmet, we see the background turn from space to earth to space to earth as we move with her. Over the radio, we hear Kowlaski tell her to detach herself before she gets too out of reach, so she does and the camera breaks away from her as she tumbles away from earth. She gets smaller and smaller until finally the camera cuts.

The genius of such a long, cinematically fascinating shot is that it brings the audience directly into the story. First, we are slowly introduced to the environment and then suddenly shifted right into the action. The cinematography of the long and thorough shot made you feel as though you were right there with these characters, experiencing this horror with them. Absolutely brilliant.

If you haven't already, you need to go see this movie. It is a revolutionary cinematic experience with groundbreaking special effects. Gravity might just be the most technologically impressive films ever made. It isn't often that you can walk out of a movie thinking, "How in the world did they do that?" You can place you bets on Gravity for all major awards in the categories of cinematography and visual effects. Go see it, and see it in 3D.

Lastly, the only negative reviews I have read of the film are about the scientific inaccuracy of some of the events. It almost angers me how stupid that is. If you're looking for a science lesson on space, go watch some informational documentary or rent a book or something. Nobody's going to this movie expecting to leave understanding outer space. This movie is made for entertainment. And truth be told, it is one of the greatest pieces of entertainment that society has ever seen. Gravity is out of this world. Pun intended.

Gravity

Let's talk about Gravity.

No, not the law discovered by Mr. Newton in the 1680's, but the film directed by Alfonso Cuarón coming out this weekend. 

Critics are going crazy for this film. IMDB has given it an 8.5/10, Metacritic– a 97/100, and Rotten Tomatoes a 98%. So what are they loving so much about it? I'll have to see it to know for sure... but I'm guessing it has something to do with it's stunning visual effects, non-stop intensity, and rumored 17-minute opening shot.

With such stunning visuals, I feel like this may finally be a film worth seeing on the largest screen possible and, dare I say, 3D? I know there are a lot of haters out there for 3D, but if there's an environment that could put it to effective use it would definitely be outer space. It's clear that Cuarón thought long and hard about how to immerse the audience in the beauty and terror of being hundreds of miles above earth.

Before I go any further I recommend you watch the trailer. There have been a few different trailers made, but I think the first one they made is most effective:

DON'T FORGET FULL SCREEN

Not everyone loved this trailer, but it hit me on the spot. When I first saw it I thought it was some sort of space documentary, and I think that's exactly what they wanted. Then all of a sudden BOOM – NOT SO MUCH. Although they have sound effects of destruction in the trailer, I've heard that the film is scientifically accurate and contains no sound because there is no sound is space. All you hear is their voices over the radio and possibly

some dramatic music at certain times. I also think this will be one of the more impressive performances by Sandra Bullock. I know some people are skeptical, and I get that, because how great of a performance can she really give while strapped into a space suit while spinning in circles through space? But when something is stripped down to it's basic elements is when it has the opportunity for huge success. In this case, it's Sandra Bullock's vocals. Curón and Bullock worked for hours on how to capture the terror of flying through space with just the sound of her breath. When I re-watched the trailers with this in mind, I really think she nailed it. And what's so spectacular about it is that it doesn't stand out. I can't see her eyes or the sweat on her forehead but I know she's terrified. I'm not thinking about how I know she's terrified, I just know she IS.

The other element I really like about this film is the characterization of earth. Although it seems like there are only two main characters, George Clooney and Sandra Bullock, I see it as three. The earth is moving, living part of the film and it's instrumental to the orientation of the camera. Very few films, if any, have done this before.

So in case you haven't figured it out yet I'm very excited to see this film. It has a fantastic director, quality actors, and state of the art visual effects. I'm quite sure it's box office sales will orbit above everything else this weekend, and it deserves it.

As a final piece to enjoy... The Onion made an entertaining review for the film:

9.81 m/s^2

If you have been to the movie theater recently you have probably seen the trailer for Gravity, a new film starring Sandra Bullock and George Clooney coming out October 4th. This movie looks intense and you should definitely see the trailer below to see what I mean. It places a medical engineer, played by Sandra Bullock, on her first shuttle mission. When things go wrong she must fight for her life with her commander, played by George Clooney, in the depths of space with limited communication with Earth. With no practical rescue, they realize the only way they have a chance at getting home is to travel further into space. Check out the trailer below.

I want to be pleasantly surprised by this film, I plan on going to see it opening weekend. I do not know how it would make sense for the astronauts to travel deeper into space to get back home. If I had to guess I would bet they lose sight of the ISS and are going to have to attempt to get back in contact with it. I can see myself either loving or hating this film, but either way the visuals and action in space will thrill me for sure. Since the next blog post is due the day this movie comes out, I plan on checking back by next week and reviewing the movie.