Quentin Tarantino

Recently I have become quite obsessed with Quentin Tarantino films. Although I have seen some of them in my past, it was not until quite recently that I became in fascinated with the infamous Tarantino. All of his films are amazing because each of them are unique in their own way. It is hard to pick just one as a favorite, but if I had to pick my favorite, which is very hard, it would most likely be Django Unchained mainly because of the character Dr. King Schultz. 

Recently I re-watched Pulp Fiction, Django Unchained, and Kill Bill Volume 1 and 2. All three of these Quentin wrote. He also directed these three as well. After re-watching these movies there were connections that I never originally noticed. For anyone that has never seen the Kill Bill series, which you should, the group of people in the movie include, a kungfu master, a blonde leader, a demolition expert, a french fox, and as well as the deadliest woman in the world with a knife. After re watching Pulp Fiction, there was a scene that I had never really put much thought into. In the dinner scene between Mia and Vincent, Vincent asks her about the pilot episode she starred in. As she goes on to explain it, she is explaining the group of people in Kill Bill. This blew my mind because Pulp Fiction came out in 1994, where as Kill Bill did not premiere until 2003. I loved how Quentin added this little part into Pulp Fiction, describing basically the draft of Kill Bill. Maybe he did not even know he was going to write that as a movie, or maybe he did but either way I found the connection interesting. Another connection he had was in Pulp Fiction, the character Captain Koon, has the same name that is on the Wanted sign in Django Unchained. The wanted sign displays the name Crazy Craig Koons. 

Yet another one is the character of Vincent Vega in Pulp Fiction, is brothers with Mr. Blonde in Reservoir Dogs. Tarantino mentioned wanting to make a separate movie with the two brothers, however Vincent Vega dies at the end of Pulp Fiction, so it would of had to of been a prequel. 

 

Obviously this is nothing new, Tarantino is known for having these small connections put in his films. All of these connections are small and subtle and Tarantino adds small little witty lines that hint at all of these connections. Many people have found other small hints in his film and have theories of which character is related to who, and what not. 

One theory I found interesting is in Django Unchained. While searching the web for these connections I found a theory on the Miramax website that speculated about Dr. King Schultz and why he was in the bounty hunting business at all. In the beginning of the movie, Django asks him how long he has been a dentist

and he answers with he had given up dentistry almost five years ago to become a bounty hunter. Dr. King Schultz never talks about family much, but it is speculated that his wife, PAULA, left him and that is why he took up the business. Later his wife realizes the terrible deed

she has done and goes out seeking him, only to find he has been killed by Calvin Candie. After hearing this she is so devastated she never gets married again, and keeps Dr. King Schultz’s last name. Finally she dies in 1893, buried with the tombstone that says PAULA SCHULTZ 1823-1893. Sound familiar? That’s the same grave that Beatrix Kiddo is buried alive in almost one hundred years later. This I found really interesting. Although there is no evidence to prove that Paula Schultz was intact Dr. King’s wife, the name is the same, and the date matches the time she could have possibly died.

Quentin Tarantino is possibly one of my favorite film makers. Not only are the stories he writes creative, hilarious, and captivating, they keep the audience wanting more. And because he knows how to insert descriptions of random people, he can build of that and create other films that connect to each film he has made. 

Watch the video below, many of Tarantino's best movie scenes are put together 

Here are some links on the interesting connections, theories, and comments of Tarantino films!

http://www.ign.com/articles/2013/01/17/the-intricate-expansive-universe-of-quentin-tarantino

http://geektyrant.com/news/2013/6/15/quentin-tarantinos-pulp-fiction-and-kill-bill-connection.html

http://www.miramax.com/subscript/how-django-unchained-is-linked-to-pulp-fiction/

I Love Tracking Shots

I have always loved tracking shots. When done right, the fluidity of the camera movement, the timing and work that goes into them results in cinematic magic. Some however are more successful than others; here is a list of my personal favorites.

 Kill Bill Vol. 1

The first time I think I was ever really aware of a tracking shot was in in my all time favorite move Kill Bill. I first realized I liked the shot well before attending film school, and before I even knew what a “tracking shot” was. The almost 2 minuet shot is relatively short compared with some of the other more famous ones, but still worth mentioning. The ambitious shot was done after 17 takes, but was completed in one day. “I got bounced around pretty good,” said Larry McConkey the veteran steadicam operator, “I never actually hit the ground, but I hit just about everything else.” 

Goodfellas

This is perhaps the most famous shot on the list, and the most well known. This iconic opining shot was however actually an accident. At this time in Scorsese didn’t even like to use steadicams, however when he was not allowed to go through the front door, he had to improvise. He decided to do the long shot through the back door to “symbolize Henry’s whole life being ahead of him, doors opening to him. It’s his seduction of Karen and it’s also the lifestyle seducing him.” This shot took eight painstaking takes to get right. 

3


Boogie Nights

This film has two iconic tracking shots, the first taking a page form Goodfellas. It takes us around the Club and introducing us to many of the main characters in the film in a 3 minuet seen. Then next shot was later on in  the movie during a house party, it follows William H. Macy looking for his wife, and ends with the double murder of his wife and her lover, and his suicide. 

Django!

Quentin Tarantino is truly a bold filmmaker. If you couldn’t tell he really, loves spaghetti westerns. But for his version of a spaghetti western, he doesn’t just explode the conventions of the genre; he uniquely and creatively molds all aspects of the genre into a sincerely fun experience. 

Django Unchained stars Jamie Foxx as a slave who is purchased by a roving dentist/bounty hunter named Dr. King Schulz (Christoph Waltz), who agrees to free him and help him find his wife (Kerry Washington) if in return he will help track down a trio of killers called The Brittle Brothers. What proceeds is the growth of an unusual friendship and a whole lot of violence and excitement. 

This film is beautifully constructed in which, Django goes from being a slave to being not only a free man, but also a professional bounty hunter, trained by Schulz and becomes his partner. There are encounters with an amusing predecessor of the KKK (played by Don Johnson), a small town sheriff who is not what he seems and, the very proper southern plantation owner, Calvin Candie (Leonardo DiCaprio), along with his right hand man, house slave Stephen (Samuel L. Jackson), who is absolutely hilarious in every one of his scenes. 

Frequently, Tarantino gets us to laugh at the most outrageous situations and then we stop for a second feeling uncomfortable, just before going ahead and laughing at the next shocking situation. But there is not that is exactly the reaction he wants. 

He also wants the audience on the edge of their seats in tense moments and very emotionally touched in others, and it’s his use of completely inappropriate humor in such a deliberate manner, and to such a brilliant effect, that makes his films what they are. His ability to do this is just one of the things that separates him from his imitators. 

Another one of his great qualities is his ability to fold quotes from other films (and even his previous work) into his movies. In this film there’s one particularly moment that comes directly from Kill Bill. The moment takes barely a second, but it’s a moment of great violence and beauty.Tarantino also uses music from his favorite other films and recreates them in clever ways to enhance his unique way of directing even more. The soundtrack for Django Unchained makes use of music from a number of westerns in a mix with a few original songs and splendid mash-ups but everything seems to flow together genuinely. 

Django Unchained is kind of a typical Tarantino film in that it’s a lot of violent, bloody fun, BUT also in that it deals with a very serious topic in a mocking manner. Nevertheless I advise everyone to go see this film whether you like Tarantino or not!