Showing posts with label Django. Show all posts
Showing posts with label Django. Show all posts

Thursday, August 27, 2015

Pulp Fiction and the Power of Characters

Last week I had the not so fun experience of getting my wisdom teeth removed. Getting teeth ripped out of your mouth or drilled out in multiple pieces, as was the case with me, is a pretty awful time. Certainly not the way you want to spend the last week of summer break. But I had big plans for this week, plans that involved smoothies and movie binging, with Quentin Tarantino's Pulp Fiction being at the top of my list. Many view this as one of Tarantino's top films and I was tired of the criminal look flashed my way when mentioned that I hadn't seen it. So I popped a few pain killers, pressed an ice pack to my cheek and settled onto the couch for this 2 hour 34 minute film.

A lengthy Tarantino movie is not unusual as most of his recent films are over 2 hours, sometimes pushing 3. I personally struggle at times sitting through long dragged out movies, but have never really had a problem with Tarantino. Both Django and Inglorious Bastards had a rich plot that carries the viewer through the experience, so I was unfazed by the long run time of Pulp Fiction.

The film draws you in quickly with it's strong dialogue and early action, bringing you into this dark and seedy world. Each seen brings a new circumstance that makes you question who's good and who's bad, what the consequences will be for each character and overall where is the plot heading? Every time I tried to convince myself that the story was leading to something big, it cut to something else, something new. It wasn't until around the 1 hour mark that I accepted the fact that plot was secondary in this film.


The thing that makes Pulp Fiction so captivating are the many personalities throughout. Each scene is pretty much used as a character piece giving the actor a spotlight to shine. Every character is so interesting and unique in their own way that as a viewer you stop thinking about the plot and more about the people. Tarantino doesn't diverge completely from formulaic story arcs as each little part of the film has a climax that is resolved before moving on to the next sequence. And things throughout the film are not actually in chronological order which is nowhere near as confusing as it sounds. Tarantino does a great job in navigating the viewer through by breaking up the different plots by titling each sequence change. For instance we see "The Golden Watch" flashed over black before jumping into Bruce Willis' story. Thanks to strong writing and direction all the actors in this piece were able to shine in this film.

What Tarantino has also done well in past is his ability to write and make a movie within a genre. A recent example is his most recent release, Django. In this film he was able to create a new and creative twist on the old school Spaghetti Westerns. With Pulp Fiction, Tarantino does a great job of creating a film that falls within the Pulp Noir genres. For those like me who didn't know what that means I looked it up. According to the internet, "Pulp noir locations are often seedy, run-down and degraded urban landscapes, where the lack of law, morals and even the proliferation of crime and drugs are common themes. Another common trend in pulp noir is the glorification and/or demonization of its urban locations." This definition almost perfectly represents the world created within the film. In Pulp Fiction, Tarantino was able to create an all time great movie built on it's characters and setting.

Friday, November 30, 2012

Django Unchained


I had posted earlier this semester about how I’m a huge fan of western movies, but I couldn’t help but express my excitement for Quentin Tarantino’s upcoming western, Django Unchained! As Quentin Tarantino has an incredible appreciation for the classic spaghetti westerns, I am eager to see what references and homages Django Unchained has in store.



The film stars Jamie Foxx as the Django, a slave living in the South who has been separated from his wife and sold in an auction. After being rescued by the German bounty hunter King Schultz, the two team up to take the bounty on the criminal Brittle Brothers and save his wife from the plantation owner Calvin Candie. 



Django Unchained has an incredible cast, including Foxx as Django, Christoph Waltz as Schultz, Leonardo DiCaprio as Calvin Candie. The film even features a cameo by Franco Nero, who starred in the legendary spaghetti western Django as the titular character. What I found particularly interesting in this casting is that DiCaprio, who normally plays protagonists such as Romeo in Romeo + Juliet and Dom Cobb in Inception, is playing the villain in the film. I was also slightly surprised that Christoph Waltz was not cast as the villain after his incredible performance as Colonel Hans Landa in Inglourious Basterds; as a huge fan of Waltz I am very excited to see his performance!



Django Unchained opens on Christmas Day; the trailer can be viewed here, and even features the Ennio Morricone song "L'estasi dell'oro" from the soundtrack of The Good, the Bad and the Ugly:


Friday, September 28, 2012

Western Movies


I’m very passionate about the western film genre. Sergio Leone’s Dollars Trilogy, Once Upon a Time in the West and Il Mercenario are some of my favorite westerns and some of my favorite movies in general.

 

One of my favorite things about westerns is their incredible use of music and the moving image to build suspense with little to no dialogue. This is why a standoff is such a powerful and memorable scene: in this situation, a character’s eyes and body language can communicate thoughts and feelings more eloquently than dialogue could. 



The Good, The Bad and The Ugly has one of the most memorable standoffs, partly because it features three gunslingers instead of two:

http://www.youtube.com/watch?v=sXldafIl5DQ

Il Mercenario features Ennio Morricone’s song L’arena, which can be heard in Kill Bill Vol. 2 as the Bride escapes from her grave:

http://www.youtube.com/watch?v=hXeBxtyF-5U

While westerns aren’t as prevalent as they were in John Wayne’s day, they are still incredibly influential: a True Grit remake was produced in 2012 by the Coen brothers, and Quentin Tarantino’s upcoming movie Django Unchained draws inspiration from the legendary western, Django, with Franco Nero even having a cameo in the film.




As a huge fan of the genre, I’m looking forward to Tarantino’s film. I hope someday to make a short western film of my own!