A Revolutionary Gimbal For Now

As filmmakers we are always trying to get the shot no one else can get, the smoothest footage, the money shot. Recently, numerous 3-axis gimbal stabilizers have been released which have thought to be the replacement of the Steadicam. While there is a lot of controversy about this topic, a new piece of equipment has been released that might throw all we know about stabilizers out the window.

As you see in the video, Sachtler has combined the brilliant gimbal benefits, that are available through use of devices like the DJI Ronin and the Movi, and the steadicam, which has long been the go to method of tracking shots. The movie "Goodfellas" has a historic tacking sequence all thanks to our beloved steadicam. This amazing idea provides a whole new style of filmmaking. As mentioned in the video above one shot that has been created through this system is being able to peak around corners with the camera. This could be great for giving a shot the feeling that someone is watching a character in a film. Being able to invert the camera as well makes this tool that much more versatile. Low angle shots were not attainable with former steadicams. Due to this item being brand new, there are limited visuals of real world applications so far, but by combining both of these amazing stabilization systems, the world of filmmaking just got a little crazier.

(GlideCam)

Having used the DJI Ronin quite extensively, as well as owning a Glidecam, I have experience advantages and disadvantages of both systems. First off the Ronin is electric and must be calibrated for the specific weight load that it is carrying. This is frustrating because with my Glidecam and many other traditional Steadicams, all weight adjustments are done through physical weight distribution adjustments. With my Glidecam the weight distribution does not have to be perfect either to still get a smooth shot, this is great for run and gun when you can't always count on a motor holding up for the entire shoot. The motor also is very susceptible to the cold due to the intricate mechanics of the system.

The Ronin however does trump the Glidecam in certain ways though. Getting low angle shots is extremely hard when the weights on the bottom of your Glidecam are hitting the ground. The Ronin is great for these types of shots because you are almost using your body as a crane and you can control the height of the Ronin to a much more specific point. The motor of the ronin, while running haywire occasionally, does however help with any bumpy steps you are taking as well.

Sachtler having combined these two amazing tools is really on to something. As mentioned earlier a new age of filmmaking with emerge from this system, but it is also costs about 15,800 Euros at the moment and the price truly makes it a professional piece of equipment. I previously thought the Movi would be the top stabilizer in the industry for sometime, however this industry changes faster than you can adjust and I'm sure this currently revolutionary equipment will soon be outdated and the bigger and better stabilizer will be running the streets soon.

MōVI STARTS MOVING

Earlier in the year a couple students, including myself, posted about the new MŌVI... a hybrid type of steadicam that can provide very smooth shots in versatile situations. The device is already being used in a couple productions, but one production team has actually worked with MŌVI technicians to mount a RED Epic camera onto this flagship device. Their creation is pretty cool looking... a mechanical dance routine on an artistically lit backstreet, all with the MŌVI flowing around the scene:

When interviewing GAREN, the producer of the music video, he stated:

Did using the MōVI make my job as a producer easier? No. Did we come across difficulties because of its learning curve? Yes. Did it cause us to lose some time? Yes. But these things are all to be expected when embracing new technologies.

His answer seems very logical and brings forth the point that the MŌVI is not yet meant for anyone to pick up and start making their very own backyard video. It's a technical piece of equipment and it will take the industry a little bit of time to discover its full potential. 

Of course what would any of this be without a handy behind the scenes video?

Read more about this on nofilmschool.com

MŌVI: The Future of Filmmaking

As I sat on my porch today enjoying the nice sunny weather, my roommate came out and showed me this new piece of technology made by FREEFLY.

Link to their homepage.

MŌVI (pronounced moe-vee) is a camera rig that breaks the process of cinematography into two pieces. Normally, the camera operator is focused on framing, focus, and the general movement their body needs to make in order to get the right shot. This can be very difficult, especially when you want a panning shot of someone in a car or someone running down the street. The steadiness of a camera can really define a quality film. With MŌVI, the process is broken up between two different operators. One is focused on getting the camera where it needs to be, and the other is concerned with framing and focus. How does this work? Think of it as advanced remote-controlled steadicam.  They have a few demo videos that explain it best.

The taxi shot they get about 3 minutes into this clip is incredible. To get a shot like this in the past you would need a substantial budget with several camera operators. They had two operators and a pair of rollerblades. Amazing. 

These rigs are not available to the public yet, and pricing has not been set. They say they will release them in the 4th quarter (October-January) and they probably wont be cheap. 

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I would consider a purchase like this a heavy investment that would pay off in the long run. If you put it to good use, you could probably compensate the price of the rig after just a few effective shots.

This second video goes even further into the possibilities of their products, especially the CINESTAR, a helicopter-like rig. We will probably have to be ready to drop several thousands of dollars for any of these products... but holy crap what a payoff. I myself will probably not be ready to purchase something like this for a while. But if anyone else is, let me know! I may want to borrow it. You know... if that's cool.