God Grew Tired of Us

I've been looking for examples of documentaries about refugees to get a better idea of how to structure a story for ours. I came across "God Grew Tired of Us," a 2006 documentary produced by Christopher Quinn that won Sundance's Grand Jury Prize and Audience Award. The film follows three of Sudan's "lost boys," a group of displaced young men who fled the wars in Sudan in the 1980s and have been living as refugees in bordering countries ever since, as they move from Kenya to the United States. One of the most interesting parts of this film is the beginning. The filmmakers actually filmed them in their refugee camp and got scenes of the boys getting assigned to their new areas (two are going to Pittsburgh, one is going to Syracuse). It even shows them as they take their first plane ride (a highlight is when they're served airplane food and can't figure out what everything is).

The "lost boys" boarding a plane from Kenya to the United States. 

The film continues, and shows them getting acclimated to their new home. The lost boys learn about their new apartment and get introduced to amenities they've never seen before (flush toilets, showers, electricity). They are also shown around a grocery store and learn about common American foods (broccoli, hoagie buns, donuts). These scenes are comical but also very interesting. It's difficult for most people to imagine the conditions these people have lived in for most of their lives, and it's hard to illustrate that. However, in seeing their amazed reactions to things that have become so commonplace to us in America, the audience gets a better sense of where they come from and what things they've been deprived of in their life.

In their first trip to a grocery store, the "lost boys" are offered to sample a donut.

Without including direct interviews, it's also apparent through dirty glances on the street that many Americans aren't comfortable with the "lost boys" living in their community. This is more subtle and, in my opinion, more powerful than having a talking head interview with someone rattling off their xenophobic beliefs. The film is mostly talking heads, which I think is one of the main detractions. It does include a lot of footage of the main characters going about their daily lives — Working, shopping, eating, etc. It just combines these scenes with talking head interviews, which is effective but at times gets a bit boring to look at. If they had just asked them the interview questions while they were working, shopping, eating, etc, then I think the visuals would have been slightly more interesting. 

A typical (and poorly lit) talking head interview from "God Grew Tired of Us."

Another detraction is that the camerawork looks slightly amateur at times. As you can see in the screenshot above, interviews are often very badly lit. It was likely a challenge because the main characters are very dark skinned, but in a seated talking head interview with one subject, I don't think there's much of an excuse for poor lighting. The camerawork in other parts is smooth but uninteresting. You do get the sense that you're given a privileged view, being shown something you otherwise never would have, but the cinematography borders on almost home-video style with little composition. 

Overall, though, this film is a success due to the storyline it crafts. There's a clear beginning, middle, and end. It follows its main characters as they prepare to leave their refugee camp, take their first plane ride over, adjust to their new home, and build a life here. Dani and I would love to have similar scenes in our film, but I know much of that will be unattainable. For one thing, as of right now we can't travel to a refugee camp to film a group of people preparing to come to the United States. We'd love to, but budgets and time obviously wont allow it. We are also doing our best to try to meet refugees who are brand new in the country, as we'd like scenes of people adjusting to their new culture. However, the refugee organizations we're working with are understandably hesitant to introduce us to people who are brand new in the country. They have enough to worry about without having a camera shoved in their faces. It's possibly too lofty a goal for this semester, but Dani and I are both interested in continuing to work on the film after the semester is over. So, given enough time, perhaps the organizations we're working with will feel comfortable enough to introduce us to refugees who have just arrived in Buffalo. 

This film has given me ideas for things we can do in ours. To begin with, I'm thinking more about specific main characters we can follow. At the moment, Dani and I have a good problem: there are so many organizations and refugees in Buffalo that we have almost too many people to talk to. Though we don't have access to anyone who just got here, we do have access to people who have become leaders in the refugee community. I think we should pick two of them and follow them as they work with newcomers and discuss the issues new refugees face. Toward the end of "God Grew Tired of Us," one of the "lost boys" becomes a community leader and works to bring more refugees to Syracuse. I think we have characters who are similar, and I think this could be an interesting storyline that highlights the issues we'd like to address in our film. 

John Bul Dau, one of the main characters in "God Grew Tired of Us," discusses the conflict in Sudan and his life as a refugee. Bul Dau has become a community leader in Syracuse and is working to help bring more refugees over to the United States.

Though we can't follow many of the storylines "God Grew Tired of Us" does (though maybe one day!), I think this film sets an example for how to show issues facing newcomers to this country. Even though it's a bit heavy on talking heads, there are many issues that are shown rather than told to us, and I think that's the standard we should try to achieve moving forward. 

The Secret Life of Walter Mitty (2013)

Last week, I wrote a post about the trailer for the upcoming Captain America sequel. I decided that I really enjoy dissecting trailers and everything they hold, so this week, I'm doing it again with The Secret Life of Walter Mitty. This time, though, I won't be focusing on the dialogue. That's because, well, there really isn't any.

The Dialogue
There's a million different ways a person can edit together a trailer. One of the biggest decisions the editor has to make is which dialogue they are going to feature in the preview to their film. Many editors choose to use very many of the most climactic, the funniest, or the most inspirational quotes to draw in movie-goers. The editor(s) for this trailer, however, decided to take the completely opposite route.

He/she/they chose to use absolutely zero lines of dialogue throughout the entire trailer; that is, until the last five seconds when Ben Stiller asks a man if there are any car available to rent and the man replies "Yeah. We have a blue one and a red one." These five seconds could either serve to emphasize the fact that the film is indeed comical at times, or could serve to represent some sort of change in Stiller's character (the majority of the film appears to be bluish, so choosing the red car could mean that Stiller eventually goes for change or wishes to stand out--it's a long shot, I know).

Either way, the lack of dialogue in the trailer leaves a lot to viewers' interpretation. Yes, this is a remake of a 1947 film, but who knows how closely the writers will stick to the original? Any character or voiceover telling me what's happening, I'm sitting there wondering why the pictures on the walls are moving. I'm wondering who the girl is who Stiller keeps looking at. I can make whatever assumptions I want, but the fact that I'm so intrigued to find the answers to my questions that I'll go see the movie in theaters means the editors did their job.

The Coloring
Wow. How about that coloring?! Everything's blue! I honestly don't know what to say about it besides the fact that it is simply stunning.

I mean, seriously! Hot damn!

Since IMDb is telling me that the film is an Adventure/Comedy/Drama, I'm not quite sure what kind of response the coloring is supposed to draw from viewers. With a drama, it would make a whole lot of sense. The blue adds a bit of bleakness and sadness to the overall emotion of any film. How the blue is intended to interact with the adventure and comedy of the film is beyond me. Maybe I'm looking too far into it? It's possible, but I'd like an answer, nonetheless.

The Storyline
Here's another thing about this trailer I know very little about, but intrigues me, nonetheless: the storyline. It doesn't give anything away! I have personally never seen the original Walter Mitty, so I have absolutely no foundation of understanding when watching this trailer. I've tried my absolute best to avoid asking others about it, too. Since this trailer has intrigued me so much, I want to go into the theater with nothing but my own expectations. Here's what I've deduced from the trailer: man is bored with life, man is bored with job, man likes girl at job, man imagines going on adventures, man eventually goes on adventures. I could be wrong, and I hope that I am. I'd really like to be surprised with some kind of surreal, unexpected plot that just shocks everyone.

The Secret Life of Walter Mitty has an incredibly enticing trailer. Its cinematic beauty manages to give away very little with the extreme lack of dialogue, and I can't wait to see what I've been waiting for when it comes out this Christmas.

A Piece of History in Two and a Half Hours

Last Saturday, my brother called and asked if my parents, my other brother, and I wanted to go see the recently released movie entitled Lincoln directed by Steven Spielberg. The rest of my family seemed very excited to go see it, and I never turn down the opportunity to go see a movie, especially one directed by such an accomplished and talented director. Besides that, I love history so I was already intrigued. So, following our usual routine we show up to the movie theater five minutes before the 6:40pm showing... and almost crash into a tall man in a heavy winter coat. The line to the ticket booth was incredibly long. As we slowly approached the counter, I realized that more and more people were buying tickets for Lincoln. Long story short, we ended up changing our tickets to the 10pm showing in order to spare our necks from the pain of having to stare up at a huge screen for about 2 and a half hours.

The theater was absolutely packed. I could only stand there in wonder. This movie has really gotten people excited, and after watching it myself I can see why. From the intricacies of Congress to his personal life, this portrayal of Lincoln and the brief span that is covered in the film was filled with rich detail. It was hard to catch it all in just one viewing. I was so impressed with the sets as well as the truly amazing talent of Daniel Day-Lewis who played Abraham Lincoln. Not to discount the rest of the cast and crew who, with all of their skill and hard work, truly made the story come alive. It was just his performance was done in such a way that captured what I would consider the essence of Lincoln. From the funny stories to the distraught husband and father, he really encompassed a complete character, right down to the walk. The cinematography was truly a work of art as well. The cuts and the camera movements themselves drew you into what was happening on the screen.

The effect of the movie was probably the best part though. I was waiting by the exit for my dad, when I overheard one woman who said she was going to go home and look up some more information on Lincoln and his family. All I could think was that this was part of the reason I wanted to go into this industry. The ability to create such a spark in people so that they leave the theater still thinking, still wondering, and better yet, actually act on that curiosity and learn something they may have never thought of before. Even my U.S. history teacher in high school, agreed that it was a great film and was pretty accurate historically (and mind you, this is no easy feat).

Needless to say, I enjoyed this film very much, and whether or not you are a history lover like myself, you should definitely go experience this wonderfully produced story. It may seem like an old one that we hear about all the time in history class, but to see it in such detail and with such strength, you may be surprised that you learned something new. I certainly was. Here is the trailer:
~Amber Capogrossi