A Surprised Movie Addict

On my trip to Virginia Beach this summer, I was squished into the backseat of my mom's Buick with my two nieces. With their iPods an inch away from their faces and their headphones softly leaking music and dialogue, I watched as their eyes filled with wonder and disappeared into whatever world their movies were taking them. I can not even begin to tell you how many times I caught them watching  The Lorax or Puss In Boots. That is the funny thing about children. They can sit through an hour to an hour and a half long movie, turn around to their parents and say, "Can I watch it again?" At one point during our twelve hour car ride I whispered to my mom and my brother, "I can't believe they are watching that movie again!" My brother, who is twelve years older than me, just laughed. He continued to recount how when I was their age I did the same exact thing with my movies at home. Well. That put me in my place for certain. I recalled going through my old picture books and seeing some pictures of my four or five year old self, laying on the floor staring up at the moving pictures on the TV. 

I loved watching movies when I was young, and as the years flew by, that love never vanished. I eventually developed a passion for reading novels (I read fifteen or sixteen different ones this summer!), but I never get tired of movies. Even television shows, although I'm a little picky when it comes to this kind of entertainment. When I was little, and today as well, I was quite an oddity I think. Instead of waking up in the morning and putting on cartoons, I would put the channel to TVLand. I loved Get Smart, I Dream of Genie, I Love Lucy, The Andy Griffith Show, Bonanza, MacGyver, and the list goes on and on. 

By the time I was a senior in High School, I thought that I had a pretty good movie and TV show library in my head. I had even watched the Behind the Scenes footage from Lord of the Rings (my favorite movie) directed by Peter Jackson, and I think by then, even Behind the Scenes from Avatar directed by James Cameron, and many others. Then my world was completely changed by one thing. Netflix. Not only did Netflix have a billion movies and shows I hadn't seen (or heard of) that you could rent, it also allowed you to stream some of those movies right online! It was thanks to this discovery that by my freshman year in college I was a pro at browsing through Netflix in search of my new favorite movie. This is still my addiction today. Recently, I have gotten hooked on movies set in 19th century England, such as North and South directed by Brian Percival, Pride and Prejudice (the 1980 TV miniseries), Mansfield Park (1999) directed by Patricia Rozema, and again, the list could go on and on. I have also watched different TV shows on Netflix including Downton Abbey, Lost, and Robin Hood (2006 TV series). 

By this point in my life, I was again content with my new expanded range of movies and shows. I had even enjoyed Charlie Chaplin when I went with my friend to France. We stayed with her grandparents in Antibes, and her grandfather loved Charlie Chaplin. My friend translated later of course, but her grandfather said that Charlie Chaplin was the best because it didn't matter what language you speak, everyone can understand and laugh along. He was right. I also took a course called Bollywood while I was in college, and we watched films ranging from Jab We Met (which I recommend because it is amazing!) directed by Imtiaz Ali to I've Loved You So Long (another great movie!) directed by Philippe Claudel. 

Yet, I am continually shocked by how small my knowledge of movies is still. Even though I watch movies on Netflix all the time, (Seriously, sometimes I watch three movies in a row. Don't worry I still have a life.) somehow I am still in the dark when it comes to the classics. In class this week we were asked if we had seen several different films for examples. I don't think I raised my hand once. This was such an eye opener for me. 

So, since I am heading into a career where it is important to know and see other people's work, I have decided to watch as many movies on the list that Professor Sinclair provided for us on the blog page. Through all this I have learned that it doesn't matter how many movies or TV series you have watched, you will never have seen enough. The learning process never stops throughout life. Just like my nieces, I have to be prepared to watch, watch and watch some more. Not only for entertainment, but in order to learn and become more knowledgeable. 

~Amber Capogrossi

The Academy

One of the many exhibitions that the Academy holds throughout the year

Sometimes we think of the Academy as something remote that we connect with every year during the Oscars. But of course it is a lot more than that. As students of entertainment media there is much to learn and benefit from the numerous activities that you can have access to if you are in LA for your internship. So make sure to check their calendar of events.

At the very least be informed by the innumerable articles, research in the science and technology of movies, and of the numerous grants, internships and fellowships that the Academy grants every year to educational institutions across the country.

As a student of Ithaca College you are part of a select community of individuals who are expected to make their mark in the industry of communications and storytelling. Variety, which is the premier source of entertainment news in the world of show business, lists IC as one of the top media programs in the nation. It is up to you to use this platform to further your career opportunities. It takes work, and passion. Your call.

¡Ay Machina!

My father, who grew up on a farm, served in WWII as a ship’s navigator. He said that he decided to go to sea because there might be more of a chance to survive the war. Though he was a consummate storyteller, I never heard him talk much about his experiences, except for a few references to sailing up the Thames while watching explosions on either side of the bow. His message was that War is a brutal business, that cruelty and hardship are commonplace, and that it is not to be admired. It wasn’t until much later, after he died, that I heard about the deadly Murmansk Run, and how he navigated his crew to safety, at a time when the a majority of the convoy crews were killed by submarine attacks. In a way, it was not a surprise because he taught me most of what I know about how to navigate this life: how to look beyond the surface, how to listen to the wisdom of others from very different backgrounds, and how to find one’s own moral compass.

As a returning student, artist/designer, and experienced parent, my views on media might come from a slightly different perspective than those who are more enamored with technology for its own sake. From my vantage point, there is a prevalent mindset in the American culture that status, including academic status, is directly related to funding and which areas chosen to receive it. Therefore, it seems to me that Science and intellectual pursuits, which apply scientific methods of inquiry, have come to be treated with a reverence that the Humanities are not (unless we are talking about the famously lucrative entertainment industry). Additionally, it is said by many that the world of academe suffers from what is termed “the silo effect,” which can describe a lack of cooperation between an institution’s departments, or a lack of emphasis on interdisciplinary research due to specialization.

One aspect that I appreciate about New Media is that it straddles many of the realms of knowledge, which have previously been relegated to their respective corners, creating marriages of Music and Physics, such as in the elegantly designed game Auditorium, or melding technology with new ways to present history, art, and storytelling, such as at the Rijksmuseum. The attitudes of some disciplines being more “pure” than others are being challenged and new possibilities are being explored due to an increased ability for interconnection, literally and figuratively.

Therefore, after reading the article by Tim Lenoir, “All but War Is Simulation,” and being asked to express my reaction, I have to say that I found it both revealing and deeply disturbing. I have wondered before why game designers have focused so often on violent games. From what Lenoir has detailed, it has much to do with funding and how the military routinely underwrites and directs projects. This funding pipeline leads research in certain directions, and helps to create cozy business relationships once researchers learn how to jump over the necessary hurdles to become government vendors.

The same week that I read the Lenoir article, I began reading The Language of New Media by Lev Manovich. In the foreword written by the founder of Rhizome.org, Mark Tribe describes the debate, which took place on his email list during the time the book was being written. He recalls that the more theoretical Europeans criticized Americans for having a “ ‘California ideology’ (a deadly cocktail of naïve optimism, techno-utopianism, and new-libertarian politics popularized by Wired magazine)”. I think this criticism still has the ring of truth today since Lenoir’s article does not stray into observations on whether the alliance of the Military-Entertainment Complex has moral complications, training as it does entire generations of (mostly) boys to think of war and gaming simultaneously, death and enjoyment. Perhaps "Military-Entertainment Complex" should also be a psychological term.

Cartoon courtesy of artist and physicist Randall Munroe at www.xkcd.com