This is an interesting video which is worth checking out, selling a little of Imax, but it is important to see some of the huge Imax reels, and the handheld work of Hoytema with the Imax camera.
Showing posts with label composition. Show all posts
Showing posts with label composition. Show all posts
Saturday, December 6, 2014
Cinematography of Hoyte Van Hoytema
Hoyte Van Hoytema is a cinematographer from Sweden, who went to the National film school in Lodz. Now working in the United States, his work is seen in big hollywood movies such as Her, Interstellar, and The Fighter. In some of his work he discusses using a real earthy color palette such as in Interstellar, he plays off of the natural green of the crops when in the farmland setting. His approach is also clearly seen the opposite when he creates the futuristic world of Her, utilizing LED lights to make the look and color of the film - a soft and intimate, near-future setting. His work is stands from Digital on the alexa in Her, to film in the Imax camera with custom made lenses for Interstellar. In each, there is significant camerawork and several handheld sequences.
This is an interesting video which is worth checking out, selling a little of Imax, but it is important to see some of the huge Imax reels, and the handheld work of Hoytema with the Imax camera.
This is an interesting video which is worth checking out, selling a little of Imax, but it is important to see some of the huge Imax reels, and the handheld work of Hoytema with the Imax camera.
Labels:
cinematography,
composition,
film,
Handheld,
Her,
Hoyte Van Hoytema,
Imax,
interstellar,
light,
Projection,
The Fighter
Thursday, October 17, 2013
Still Life
I
recently watched part of the film Still
Life again. It is a recent Sixth Generation Chinese, multiple award winning
film directed by Jia Zhangke. The film follows a
story using parallel plotting. The first plot concerns a man Han Sanming and
the second concerning a woman Shen Hong. The film is driven mainly by
cinematographic images rather than the dialogue and narrative. The dialogue and
narrative is present but they are not as predominant as the images and cinematography. It involves
making choices between types of shot, types, of lenses, camera movement, along
with more technical aspects. The cinematographic characteristics in Still Life support the overall themes.
It takes all of the other elements of film and ties them together with the art
of camera movement, composition, and framing.
The cinematography draws attention to the magnificence of
both the natural landscapes and the deteriorating urban scenery. It also
compliments the film’s themes urban displacement and change. Since there wasn’t
a lot of dialogue I enjoyed analyzing how the movie told the story through all
of the other elements. I think each individual element within the
cinematography, such as mobile framing, symmetric composition, depth of field, and
the immense amount of camera movement, lead the themes and narrative to
success.
Subscribe to:
Posts (Atom)



