Showing posts with label rick and morty. Show all posts
Showing posts with label rick and morty. Show all posts

Wednesday, September 9, 2015

Rick and Morty For A Hundred Years Rick And Morty Dot Com.

There are two kinds of people in this world (Earth C-137): those who absolutely love Rick and Morty, and those who I pretend exist in a parallel universe where they love Rick and Morty, which I can do because that’s exactly the power of the show. Because it is a sci-fi cartoon with a backbone built around multi-verse theory, Rick and Morty is a show that can do whatever it wants.

The adultswim show that aired on December 2, 2013 is just over halfway into it’s second season and was renewed in August for its third. No surprise there. After one season, the show had already become adultswims’ trinket necklace left to it by it’s late grandmother that actually turned out to be worth way more you ever could ha
ve gotten for it on ebay. That’s because it has the most value element in the world in it. Collaboration. (Aww)

Rick and Morty actually started as a sketch
meant only get a shock factor reaction from the audience by one of the show’s creators, Justin Roiland. Originally a grotesque spoof on Back To The Future, the animated sketch called “The Real Animated Adventures of Doc and Mharti” was noticed by Community creator, Dan Harmon. With Justin’s art and vocal stuttering’s- I mean stylings and Dan’s unmatched wit and storytelling ability, the duo took the sketch from over the top gross to stellar comedy.


Rick and Morty follows the story of Rick Sanchez, an alcoholic scientist who happens to be the smartest man in the universe and his dim-witted grandson, Morty, as well as the rest of the family. As they travel through the universe, their stories incite more than a little laughter but kick you in the heart just as often. The power of the show is that even though it’s jokes per minute count is off the charts, it weaves in very real issues as well, like suicide, failing marriages, molestation, insecurity, etc. However, all of this together means that even the fourth or fifth time you watch an episode, you pick on new jokes and subtle plants, making it easy to introduce and watch with friends who have never seen it, at least not in this universe. For a dumb looking show, it’s one of the smartest sci-fi series on TV at the moment and from the looks of it, it’s here to stay. Just like you, in that chair as you watch the pilot for yourself right now: http://www.adultswim.com/videos/rick-and-morty/pilot/ 

Tuesday, September 30, 2014

Joseph Campbell and the Hero's Journey

When I started trying to write my first blog post for this class, the first topic that popped into my head was the way Dan Harmon, creator of Community and Rick and Morty and one of my favorite creative talents, structures the stories he writes. Harmon, whether he's writing a half-hour episode of a sitcom, a feature film, or a three-minute comedy sketch, utilizes "story circles," which he says allow him to tie narrative and character development directly together. Unfortunately, as I searched for visual aid to illustrate my blog post, I discovered that a past CP2 student had already covered the topic (Kyle Vorbach's excellent post can be found here: http://filmword.blogspot.com/2013/02/dan-harmons-story-circles.html). I decided to delve into the origin of Harmon's story circles, which can easily be traced back to the writings of Joseph Campbell and his theory of the monomyth.

Joseph Campbell was an American author and educator who specialized in examining mythology and religion for similarities across cultures. His life's work as an author came together in the form of his most lasting theory, that of a monomyth. In The Hero with a Thousand Faces (1949), Campbell argued that the structure of the hero's journey remained consistent throughout cultures, with only surface changes made to create the heroes that define a culture's mythology. Campbell was heavily influenced by Carl Jung, one of the most prominent psychologists of the 20th century, who developed a theory of collective unconsciousness. Jung's assertion that all of humankind shares certain archetypes heavily influenced Campbell's analysis of both mythological stories and more modern pieces of fiction. Harmon's story circles draw their cyclical structure and many of the narrative steps from Campbell's theory of the Hero's Journey:


Campbell's structure, however, goes into more detail than Harmon's. However, it should be noted that Harmon often cites steps such as the Crossing of the Threshold when talking about his writing. Campbell's basic steps on the Hero's Journey are as follows, broken roughly into three-act structure:

1. The Ordinary World
2. The Call to Adventure
3. Refusal of the Call
4. Meeting with the Mentor
5. Crossing of the Threshold 
End of Act 1

6. Tests, Allies, and Enemies
7. Approach
8. The Ordeal
9. The Reward
End of Act 2
10. The Road Back
11. The Resurrection
12. Return with the Reward
End of Act 3

The division by act structure can be debated, and different sources often re-name the specific steps, but the basic structure of the Hero's Journey stays constant over much of fiction, regardless of genre or artistic medium. Campbell's theory originally was formulated as a way to discuss mythological texts like The Odyssey and Gilgamesh, but has come to influence some of the most prominent novels and films of the 21st century. Want an example?

George Lucas and Mark Hamill on the set of Star Wars

George Lucas was one of the first filmmakers to take Campbell's theory and develop a feature film around it. It was Campbell's The Hero with a Thousand Faces that helped Lucas flesh out his basic ideas for his first big-budget film. Star Wars and the entire original trilogy owe their structure and storytelling beats to Joseph Campbell. Dan Harmon has since taken the same basic structure and applied it to over 90 episodes of Community, in addition to using the structure for projects such as Rick and Morty and Monster House. Studying Campbell's monomyth can help young storytellers master the basics of character development, pacing, and plot structure, regardless of medium.


My source for Campbell's steps was this website: http://www.thewritersjourney.com/hero's_journey.htm . If you're interested in Dan Harmon's story circles and would like to know more, I'd recommend checking out his tutorials on the Channel 101 wiki: http://channel101.wikia.com/wiki/Story_Structure_101:_Super_Basic_Shit.