End-of-semester Reflection

As the semester comes to a close, I have a lot to think about and a lot to reflect upon; mainly, the new-found appreciation I have for the field of film production. Before this class, I can confidently say that I already knew much more about the industry than the vast majority of my friends. I've always had an appreciation for the film industry and for those who work in it, but not to this level.

Last year, I took an intro to field production course, and I certainly learned a lot from it, but my overall opinion of film production was not at all affected through the experience. Fiction Field Production 1--through the semester-long project we had to complete--taught me a whole lot more about the industry than I ever would have thought possible.

What was so different about this class was the fact that, for the first time since I've gotten to this school, we were assigned a legitimate project that really put everyone's skills to the test. The project was simple (or so I thought): make a film that's based off a news story. The story can cover any topic and can be from any time period. Everyone in the class brought in a story, we voted on the two we liked best, and then we split ourselves into two groups.

With two groups of seven students, everyone was able to have their own crew position, instead of having everyone split the work evenly like in the intro class. The most exciting part was that we, for the most part, chose the group and position we would stick with for the entirety of the semester. As one who has never been particularly fond of preproduction work, I was ecstatic to be able to step aside and let someone else take care of it.

Now, while this was an especially exciting part of the project for me, it was also one of the more nerve-wracking aspects of the process. While it was no longer my responsibility to write, schedule, direct, or shoot the film (I was given the position of editor), it also meant that a whole lot of things were out of my control. Sure, I could give my input on whatever I wanted--and it was often well-regarded--but for the most part, the final decision on most things was not mine.

My point is that while it's nice to not have to bother myself with certain aspects of the project, it also meant that I had to have faith in my fellow group members. As one who tends to take control in a group setting, this was something I had to quickly learn to get over. From the very start, I had to constantly remind myself not to intervene in others' work and to trust them more than I usually would have in the past.

With everyone working on their own portion of the film, a whole lot more effort could be put into each aspect of the project, as opposed to when everyone had to split their efforts amongst everything. With every student putting forth a whole new level of effort into their work than I've ever seen before, I was able to really watch and admire everyone's talent while also taking the time to appreciate the amount of work they were each completing.

Yes, my job as editor had a lot of work that came with it as well, but to truly be able to see the amount of work that goes into the entire process of a film's production and the high level of skill that's required to make a quality product is unbelievable. I used to think we simply weren't using the proper equipment to make a good film, but it turns out that what it really takes is a group of talented students who are willing to put forth the effort. Duh.

Thank you, Arturo Sinclair, for a brand-new experience and for passing your knowledge onto all of us.

Here's the Facebook event for the screening this upcoming Saturday!

My sheer excitement for our final project!

After we get past this scene recreation project, we're moving immediately on to our final project. What? Are you kidding? That's ridiculous! Yeah, it is. It's ridiculously awesome! I could not be more excited to start working on the project as soon as possible.

To begin, I'll be working with the group focusing on the poem about a man's struggle with OCD. I personally think it's a very interesting story with which countless artistic, creative things can be done in the film medium. I'm not exactly sure which direction our group will head in with portraying the story, but being able to take a person's personal story and shape it in our own way will be an experience which I haven't experienced before. At least I think I haven't. The groundwork is laid down for us, but now we have pretty much as much freedom as we need to do whatever we want with the story.

Here's the poem...

In addition to the actually story we're presenting, the group of people I'm working with also attributes to my level of excitement for this project. Having worked with a few of my group members in the past, I know that they are very dedicated, creative people who certainly know what they're doing. For those in the group who I haven't worked with before, I have complete and utter faith in their work. While I may not have worked with most of the group before, I've seen some of their work, and as long as they match--or maybe even surpass--what I've seen of theirs in the past, I'm absolutely positive I'll be blown away with their work this year. During the few discussions I've had with some of my group members, I can already tell that they all have some great ideas for the production, as well. Also, it's simply a wonderful group of beautiful people.

Here's the best part. Some people would argue that a larger group project is too difficult a thing to do. They'd say that it's simply too complicated and annoying to work with so many people and to plan around so many different personal schedules. Forget them. They're wrong. Can working with a larger number of people be more complicated than working with fewer? Yes. I'm not saying it's not, but the extra complication certainly comes with its benefits. Think about it. Unlike last year where you'd have 3 people in a group where everyone helped with everything, each person can now be assigned a specific job in the production. Instead of having 3 people crowded around one table while writing the script, drawing out the storyboards, or editing, one person will do each of these things. It takes the complication out of everyone worrying about everything. Now each group member can focus their complete attention and effort towards their part of the project. That's not to say that every member won't help one another with each step of the production process, but each member will now be able to focus on the certain part of the production that they love to do and excel at. As long as everyone does their job, it'll work out much better than in the past. Just wait and see.

Let's not forget about the equipment. I mean, seriously. These new cameras we get to use are unbelievable compared to the ones in the past. They're quality pieces of equipment! They're able to do things that the JVC100 were never capable of doing. I couldn't have even dreamed of something so wonderful. They can shoot in slow-motion! How cool is that?! I could go on for hours about the FS100's features but I'd probably bore you. I really just wanted to bring it up and emphasis all of its awesomeness.

I cannot wait to get started on this project. I'm hoping--and planning--on finishing with a product that I'll want to show to everyone I know. Let's go Los Jalepeños! Or El Dorado? We haven't quite decided on a group name yet...