Showing posts with label Silent Film Era. Show all posts
Showing posts with label Silent Film Era. Show all posts

Friday, November 9, 2012

A MUST SEE: THE ARTIST!

I had the most unexpected surprise today when I got on Netflix and looked under the "Recently Added" tab. I scrolled along trying to find something to watch and I was stopped dead in my tracks when I saw The Artist directed by Michel Hazanavicius sitting there among the other movies that people can stream online. It was one of those moments where everything around the picture of the movie went out of focus and there glowed the one movie I have been dying to see for the last three weeks. So, I cooked myself some dinner, curled up on the couch, and hit play.

This movie was so much better than I had even expected. I thought I was excited after watching the behind the scenes look in class, but after I finished this movie I was grinning from ear to ear and had the sudden urge to get up and dance around my room laughing.

Where to start in describing this experience? I suppose with the history that it encompassed and depicted in such a creative way. The transition from the silent films to the "talkies" was one of those topics that my amazing U.S. history teacher gave a lecture on in high school. A subject that is not usually in the curriculum for history classes in high school, I was completely fascinated by it. Two of my peers and I were able to put together a little report for one of the class projects. I thought it was interesting how many of the silent film actors were not used in the "talkies"because, just like George, they were symbolic of the "old" and they wanted the "new." Beyond that though, some were not used because of their voices in general. For the "new" style of film, they weren't only looking for people who were attractive, but also for those people who sounded good as well. The Artist did such a wonderful job of depicting this era of change.



I saw several Charlie Chaplin films (including City Lights) when I went to France with a friend about two years ago. While we were staying with her grandparents in Antibes, her grandfather would put in the movie and we would all sit and watch. He said (thanks to my friend's translation), "These kinds of films are the best to watch because it doesn't matter what language you speak, everyone understands." How true were his words! It is the wonderful part about these kinds of films. Half the time, I didn't need the dialogue that flashed on the screen in order to understand what was happening. It reminded me of reading a book (which I do a lot of), except for the fact that you don't have the trouble of imagining the setting and the characters looks. I could almost hear the dialogue in my own mind and the story unfolded.

The characters were so memorable as well. They were the kind of characters that you wanted to meet and hang out with. The personality of George Valentin was great when it was  all charm in the beginning, but I think it was towards the end, when the audience saw him at his weakest point, that he became such a rounded out character. Jean Dujardin, the actor who played George Valentin, not only looked the part, he completely embodied the part. He was like a symbol for all those actors who were considered the "old." His energy and emotion given through his eyes, right down to the smallest of gestures, were so great that it made me feel like I could see straight to the soul of the character.

I have decided that if I could be anyone, I would love to be Peppy Miller. She was so bold and confident, but best of all, she had such a kind heart. She was the kind of woman I hope I can someday become. I loved her personality that was so innocent and yet, she didn't let anyone mess with her. Of course, Bèrènice Bejo was just fabulous playing the part. All of the actors were phenomenal, including John Goodman and James Cromwell.

The filming itself was amazing as well. A story told mostly through images and a wonderfully arranged and performed film score. The use of the camera was astonishing. I love how the newspaper was used for "dialogue" in the beginning when it said "Who's that Girl?" It was great how the movie never got boring because the next shot was always so unexpected. Shots that showed what was happening in the reflection of mirrors or glass tables, or the use of shadows, or the transition of time with a montage of magazine and newspaper headlines; it always kept you engaged and entertained.

Even the use of sound was so creative! I loved the dream sequence were he started hearing the things he touched and the phone rang. What a great way to show how he was really feeling about the "talkies!" Even at the end when you can hear them all speak, it was such a treat; a wonderful ending that depicted the acceptance that George felt for the "talkies" by the end of the film.






My favorite line in the whole film though was when George says to Peppy, "If you want to be an actress, you need to have something the others don't." As one of those dreamers myself, this line truly resonated with me.






It is so hard to summarize this movie in only a few words. From wonderful music to the awesome tap numbers at the end of the film (I was a dancer for nine years), I travelled through time to another beautiful era that took my breath away.  I would definitely recommend this movie to everyone. It is such a great film that leaves you with a smile on your face and a catchy tune in your head.




~Amber Capogrossi

Thursday, October 25, 2012

Safety Last

Once upon a time when i was a senior in high school i decided to take a class called filmmaking. It was a full year course and for the first time in my high school career i could choose whichever class i wanted to take. Considering my chosen career path this choice was a no brainer. The way the class worked is the first half of the year was dedicated to film history and the second half was dedicated to actually making films. I thought the first half of the year was going to be awesome until we started watching really old movies. When i say old i mean it took us two months to finish watching the first moving images ever recorded. Then we moved on to silent films. I thought it was boring and i was not really that excited but then we watched Safety Last. Watching one of Harold Lloyds most well known works changed my feelings towards old movies forever. The entire film is great. What really did it for me though is the infamous clock tower scene. During that scene i was losing my mind. Watching him climb up the entire thing was extremely scary. The entire time i was watching that scene i was just thinking about how the hell did they actually film this? Harold Lloyd literally climbs the entire tower by himself and you can actually see how high up he is. I learned later the way that they accomplished this incredible shot. The way they did it was building different sections of the building and then having him climb up each individual section, never having to be more than 15-20 feet off the ground. The entire movie was incredible but this scene is what really did it for me. After watching that, i had a newfound appreciation for silent films. Anything that could evoke that kind of emotion in me while also not saying anything is incredible as far as im concerned. This isn't what started my love for movies but this started my new found love and appreciation for older/silent film era.