Bronson, starring Tom Hardy, is similar to Drive in its style. Once again, pink, blue, and yellow lighting can be found in every scene. The story is about Charlie Bronson, Britain's most dangerous inmate. The movie is extremely unusual and it is hard to explain, so just watch it. The music doesn't quite fit with the scenes but at the same time, it works perfectly. Refn uses music that doesn't seem to fit but in a strange way, it works perfectly. I suggest you watch both of these movies. Once you do, you will understand what I mean about the music.
Friday, December 14, 2012
Nicolas Winding Refn
This week, I watched Drive (2011) and Bronson (2008) back to back. Both movies are directed by Refn and feature unusual stylistic lighting, cinematography, and music. Drive, starring Ryan Gosling, is about a Hollywood stunt driver that supplies a getaway car for criminals as long as they pull off their scheme in five minutes with one minute extra and no exceptions. The main character, who is nameless, gets involved with a woman and the mafia. Honestly, Drive is the best movie I've seen in a while. Every shot, Refn uses pink, blue, and yellow lighting somehow and it creates a retro feel that goes with the music. The soundtrack includes modern music that is electronic and reminiscent of 1980s music. Gosling probably has about twelve lines throughout the whole movie but Refn uses music to drive the narrative (no pun intended).
Bronson, starring Tom Hardy, is similar to Drive in its style. Once again, pink, blue, and yellow lighting can be found in every scene. The story is about Charlie Bronson, Britain's most dangerous inmate. The movie is extremely unusual and it is hard to explain, so just watch it. The music doesn't quite fit with the scenes but at the same time, it works perfectly. Refn uses music that doesn't seem to fit but in a strange way, it works perfectly. I suggest you watch both of these movies. Once you do, you will understand what I mean about the music.
Bronson, starring Tom Hardy, is similar to Drive in its style. Once again, pink, blue, and yellow lighting can be found in every scene. The story is about Charlie Bronson, Britain's most dangerous inmate. The movie is extremely unusual and it is hard to explain, so just watch it. The music doesn't quite fit with the scenes but at the same time, it works perfectly. Refn uses music that doesn't seem to fit but in a strange way, it works perfectly. I suggest you watch both of these movies. Once you do, you will understand what I mean about the music.
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